This paper analyzes the plans and layouts of Chinese ceramic workshops from the Tang to Ming periods (seventh to seventeenth century AD) to understand how ceramic production was organized and how organization developed over time. Through the comparative examination of 254 workshops from 96 workshop sites, two workshop types have been defined based on the spatial arrangement of their production facilities. This paper argues that each workshop type reflects a different degree of labor specialization, and despite some regional differences, the organization of ceramic production developed in a consistent way across China
This paper, by referring to the archaeological reports and local gazetteers and comparing images of ...
As the most recent archaeological discoveries have shown, private ceramics workshops developed in an...
The study of ceramic variability in Chinese archaeology is conventionally understood in the context...
This paper analyzes the plans and layouts of Chinese ceramic workshops from the Tang to Ming periods...
In studies of Chinese ceramics of designated periods, it is generally assumed that the forms and dec...
This dissertation attempts to explain the organization of pottery production on the ancient Chengdu ...
This study investigates how systems of pottery production change in relation to increasing cultural ...
Ceramics through the ages have served as a window into the worlds of culture, technology, and histor...
This thesis sets out to show, by way of chronological charts, some evolutionary trends of eighteen p...
Tongxingqi (or bottomless painted pottery cylinders), to a great extent, represents the techniques a...
Analysis of settlement pattern and production organization of the Jinsha settlement suggests that it...
A major transformation of glazed ceramic technology occurred in the sixth century AD in North China:...
This thesis examines the circumstances of lead-glazed pottery unearthed from the Capitals of Tang Lu...
This study combines an analysis of archaeological remains, geographic background, and ethnoarchaeolo...
Jin ceramic production (1126-1234) has always been underestimated (if not altogether ignored) since ...
This paper, by referring to the archaeological reports and local gazetteers and comparing images of ...
As the most recent archaeological discoveries have shown, private ceramics workshops developed in an...
The study of ceramic variability in Chinese archaeology is conventionally understood in the context...
This paper analyzes the plans and layouts of Chinese ceramic workshops from the Tang to Ming periods...
In studies of Chinese ceramics of designated periods, it is generally assumed that the forms and dec...
This dissertation attempts to explain the organization of pottery production on the ancient Chengdu ...
This study investigates how systems of pottery production change in relation to increasing cultural ...
Ceramics through the ages have served as a window into the worlds of culture, technology, and histor...
This thesis sets out to show, by way of chronological charts, some evolutionary trends of eighteen p...
Tongxingqi (or bottomless painted pottery cylinders), to a great extent, represents the techniques a...
Analysis of settlement pattern and production organization of the Jinsha settlement suggests that it...
A major transformation of glazed ceramic technology occurred in the sixth century AD in North China:...
This thesis examines the circumstances of lead-glazed pottery unearthed from the Capitals of Tang Lu...
This study combines an analysis of archaeological remains, geographic background, and ethnoarchaeolo...
Jin ceramic production (1126-1234) has always been underestimated (if not altogether ignored) since ...
This paper, by referring to the archaeological reports and local gazetteers and comparing images of ...
As the most recent archaeological discoveries have shown, private ceramics workshops developed in an...
The study of ceramic variability in Chinese archaeology is conventionally understood in the context...