In 1684, the natural philosopher Thomas Burnet threw an intellectual grenade with his Sacred Theory of the Earth. Although he characterized mountains as ugly, disordered ruins, Burnet also acknowledged the enormous pleasure of viewing these ‘greatest objects of Nature’. As such, he has frequently been posited as a transitional figure in the development of a modern mountain aesthetic; by contrast, this chapter will argue that Burnet’s positive response was entirely in keeping with the attitudes of his era. It will further locate the contested knowledge-making of ‘the Burnet debate’ as occurring at the intersection of classical ideas, Scriptural interpretation, and empirical rationality. Despite a rhetoric which rejected the ‘authority of the...
The art of gardening stems from an ontological paradox whereby man as creature turns into a creator ...
During the late Renaissance and the beginning of the early modern period, the concept of nature too...
At the end of the twentieth century the relationship between man and nature becomes the object of a ...
Throughout the longue dureé of Western culture, how have people represented mountains as landscapes ...
In 1773, the Scottish traveller Patrick Brydone published an account of visiting Mount Etna, in whic...
It could come as a shock to learn that some seventeenth-century men of science and learning thought ...
Many people today glorify wild nature. This attitude is diametrically opposed to the denigration of ...
In his Telluris Theoria Sacra and its English translation The Theory of the Earth (1681–90), the Eng...
Human society comes in contact with the physical environment in two ways: Through economic appropria...
Discovering laws of nature was a way to worship a law-giving God, during the Scientific Revolution. ...
"The Landscapes of the Sublime, 1700-1830" is a major new study of the place of the 'natural sublime...
Sublime concepts about mountain landscape in the Romantic literature: Rousseau, Goethe, Tieck, Mary ...
The book has three interwoven theses: The first of these concerns the Anthropocene era and contends ...
The appeal to laws of nature as an explanatory principle is often regarded as fundamental to natural...
International audienceTo what extent the distinction between the natural and the artificial can be c...
The art of gardening stems from an ontological paradox whereby man as creature turns into a creator ...
During the late Renaissance and the beginning of the early modern period, the concept of nature too...
At the end of the twentieth century the relationship between man and nature becomes the object of a ...
Throughout the longue dureé of Western culture, how have people represented mountains as landscapes ...
In 1773, the Scottish traveller Patrick Brydone published an account of visiting Mount Etna, in whic...
It could come as a shock to learn that some seventeenth-century men of science and learning thought ...
Many people today glorify wild nature. This attitude is diametrically opposed to the denigration of ...
In his Telluris Theoria Sacra and its English translation The Theory of the Earth (1681–90), the Eng...
Human society comes in contact with the physical environment in two ways: Through economic appropria...
Discovering laws of nature was a way to worship a law-giving God, during the Scientific Revolution. ...
"The Landscapes of the Sublime, 1700-1830" is a major new study of the place of the 'natural sublime...
Sublime concepts about mountain landscape in the Romantic literature: Rousseau, Goethe, Tieck, Mary ...
The book has three interwoven theses: The first of these concerns the Anthropocene era and contends ...
The appeal to laws of nature as an explanatory principle is often regarded as fundamental to natural...
International audienceTo what extent the distinction between the natural and the artificial can be c...
The art of gardening stems from an ontological paradox whereby man as creature turns into a creator ...
During the late Renaissance and the beginning of the early modern period, the concept of nature too...
At the end of the twentieth century the relationship between man and nature becomes the object of a ...