This article examines the collection of musical instruments and music books (both published editions and manuscripts) belonging to the Florentine Niccolò di Sinibaldo Gaddi. One of the greatest collectors and patrons of the arts of his time, in the 1570s and 1580s he organized and installed one of the largest private collections of the era in the so-called casa dell’orto. Today it is possible to reconstruct not only the scope of his collections but also the breadth of his incredibly rich library thanks to an unpublished inventory from 1628 and analyses of other primary sources. Around forty musical instruments and a group of 130 volumes of printed and manuscript music books were among the thousands of objects exhibited. The identification o...
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th cen...
The work concerns Giovanni Battista Bassani’s output and its reception with particular emphasis on m...
Recent studies regarding the first steps of the violoncello in North Italy at the end of the sevente...
This article examines the collection of musical instruments and music books (both published editions...
This article examines the collection of the neglected nobleman Fabio Fani, based on the evidence of ...
The article first provides an account of nobiliary archives as a source for the history of music, by...
The article first provides an account of nobiliary archives as a source for the history of music, by...
Copies of Renaissance paintings on instruments of the violin family are extremely rare. In this arti...
Mario Bevilacqua was one of the most important collectors and patrons of literature and the arts of ...
This article, within a study concerning the library of the theoretician and composer Franchino Gaf...
Filippo Bonanni’s Gabinetto armonico (1722) was in its time the most extensive collection of musical...
The library of the Polish Academy of Sciences in Gdańsk holds a wealth of materials that give insigh...
In this article I study the origins and diffusion of the musical chapels in fifteenth and sixeenth-c...
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th cen...
Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 150...
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th cen...
The work concerns Giovanni Battista Bassani’s output and its reception with particular emphasis on m...
Recent studies regarding the first steps of the violoncello in North Italy at the end of the sevente...
This article examines the collection of musical instruments and music books (both published editions...
This article examines the collection of the neglected nobleman Fabio Fani, based on the evidence of ...
The article first provides an account of nobiliary archives as a source for the history of music, by...
The article first provides an account of nobiliary archives as a source for the history of music, by...
Copies of Renaissance paintings on instruments of the violin family are extremely rare. In this arti...
Mario Bevilacqua was one of the most important collectors and patrons of literature and the arts of ...
This article, within a study concerning the library of the theoretician and composer Franchino Gaf...
Filippo Bonanni’s Gabinetto armonico (1722) was in its time the most extensive collection of musical...
The library of the Polish Academy of Sciences in Gdańsk holds a wealth of materials that give insigh...
In this article I study the origins and diffusion of the musical chapels in fifteenth and sixeenth-c...
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th cen...
Ottaviano Petrucci published his first book of music, the Odhecaton A, sometime in the summer of 150...
The article is a contribution to the musical life of the Polish aristocracy in the 17th and 18th cen...
The work concerns Giovanni Battista Bassani’s output and its reception with particular emphasis on m...
Recent studies regarding the first steps of the violoncello in North Italy at the end of the sevente...