Add to ORKGI. On truth to nature; and style.--II. Imagination and the ideal.--III. Invention.--IV. Taste.--V. Drawing.--VI. Drawing.--VII. Quality in colour.--VIII. The relative importance of subject and treatment.Mode of access: Internet
Introductory.--Some early painters.--On lighting and arrangement.--On colour.--Titian, Velasquez, an...
Issued with the author's Lectures on art. New York, 1886. The political economy of art. New York,...
--Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art ...
"These lectures were given in 1905 and 1906, and, with the exception of a few alterations in form ma...
"Thirteenth thousand."I. Inaugural.--II. The relation of art to religion.--III. The relation of art ...
Ancient costumes.--Byzantine and Romanesque art.--On the painters of the eighteenth century.--"David...
Introductory, some early painters.--On lighting and arrangement.--On colour.--Titian, Valasquez, and...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dra...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Inaugural. - The relation of art to religion. - The relation of art to morals. - The relation of art...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art to...
Inaugural -- The relation of art to religion -- The relation of art to morals -- The relation of art...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Preface. Inaugural. The relation of art to religion. The relation of art to morals. The relation of ...
Introductory.--Some early painters.--On lighting and arrangement.--On colour.--Titian, Velasquez, an...
Issued with the author's Lectures on art. New York, 1886. The political economy of art. New York,...
--Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art ...
"These lectures were given in 1905 and 1906, and, with the exception of a few alterations in form ma...
"Thirteenth thousand."I. Inaugural.--II. The relation of art to religion.--III. The relation of art ...
Ancient costumes.--Byzantine and Romanesque art.--On the painters of the eighteenth century.--"David...
Introductory, some early painters.--On lighting and arrangement.--On colour.--Titian, Valasquez, and...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dra...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Inaugural. - The relation of art to religion. - The relation of art to morals. - The relation of art...
Art for art's sake.--Color.--Tone and light-and-shade.--Linear and aërial perspective.--Values.--Dr...
Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art to...
Inaugural -- The relation of art to religion -- The relation of art to morals -- The relation of art...
Art for art's sake.-Color.-Tone and light-and-shade.-Linear and aërial perspective.-Values.-Drawin...
Preface. Inaugural. The relation of art to religion. The relation of art to morals. The relation of ...
Introductory.--Some early painters.--On lighting and arrangement.--On colour.--Titian, Velasquez, an...
Issued with the author's Lectures on art. New York, 1886. The political economy of art. New York,...
--Inaugural.--The relation of art to religion.--The relation of art to morals.--The relation of art ...