This review considers Laura Estill. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays. Lanham: University of Delaware Press, 2015. Pp xxviii, 254
Review of Joanne Rochester's book on "Staging Spectatorship in the Plays of Philip Massinger" drawin...
The article reviews the book Three Women of Liege: A Critical Edition of and Commentary on the Midd...
Review of Emma Whipday's Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home by...
Claire M. L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University ...
This review considers Lisa Hopkins. Renaissance Drama on the Edge. Farnham: Ashgate, 2015. Pp ii, 19...
This review considers The Cambridge Introduction to Early Modern Drama, 1576-1642 by Julie Sanders
This review considers The Cambridge Introduction to Early Modern Drama, 1576-1642 by Julie Sanders
IN A COLLECTION OF twenty-one essays devoted to early British dramatic manuscripts, one would expect...
This review considers Thomas L. Berger and Sonia Massai (eds), with Tania Demetriou. Paratexts in En...
Dramatic Extracting and the Reception of Early Modern English Drama builds on recent work on the tra...
Review of Damnable practises: Witches, dangerous women, and music in the seventeenth-century English...
This review considers Anne Lancashire and David J. Parkinson (eds). Civic London to 1558. 3 vols. Ca...
This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender
Review of Claire M.L. Bourne's Typographies of Performance in Early Modern England by Brandi K. Adam...
Early modern play-readers and play-goers were not a passive audiences: they borrowed and adapted fro...
Review of Joanne Rochester's book on "Staging Spectatorship in the Plays of Philip Massinger" drawin...
The article reviews the book Three Women of Liege: A Critical Edition of and Commentary on the Midd...
Review of Emma Whipday's Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home by...
Claire M. L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University ...
This review considers Lisa Hopkins. Renaissance Drama on the Edge. Farnham: Ashgate, 2015. Pp ii, 19...
This review considers The Cambridge Introduction to Early Modern Drama, 1576-1642 by Julie Sanders
This review considers The Cambridge Introduction to Early Modern Drama, 1576-1642 by Julie Sanders
IN A COLLECTION OF twenty-one essays devoted to early British dramatic manuscripts, one would expect...
This review considers Thomas L. Berger and Sonia Massai (eds), with Tania Demetriou. Paratexts in En...
Dramatic Extracting and the Reception of Early Modern English Drama builds on recent work on the tra...
Review of Damnable practises: Witches, dangerous women, and music in the seventeenth-century English...
This review considers Anne Lancashire and David J. Parkinson (eds). Civic London to 1558. 3 vols. Ca...
This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender
Review of Claire M.L. Bourne's Typographies of Performance in Early Modern England by Brandi K. Adam...
Early modern play-readers and play-goers were not a passive audiences: they borrowed and adapted fro...
Review of Joanne Rochester's book on "Staging Spectatorship in the Plays of Philip Massinger" drawin...
The article reviews the book Three Women of Liege: A Critical Edition of and Commentary on the Midd...
Review of Emma Whipday's Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home by...
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