The BG REACH project used creative arts methods to support residents of a post-industrial community in the South Wales Valleys to reflect on what the heritage of their local area meant to them. Contrary to expectation, participants did not define their shared identity primarily in relation to the industrial experience. Connections with the pre-industrial past were equally powerful, as were positive views of deindustrialisation as a healing of the landscape. Moreover, the pieces produced drew extensively upon broader motifs of Welshness, suggesting that Welsh identity may not be as terminally fragmented as some scholars have argued
This short photographic essay emerges from the recognition that identity, landscapes and heritage la...
Ffotogallery’s photographic survey and archive The Valleys Project was initiated at a time of signif...
The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period w...
The former industrial heartland of South Wales is a complex mix of urban and rural morphology with a...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners'...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners ...
This study explores its central question—How do people imagine Wales and Welsh identity?—by examinin...
PhD ThesisThis thesis examines relationships between community, heritage and identity in a diaspori...
During the course of this article I explore the concept of cultural modernization and identity as it...
History - both in the sense of the past itself and representations of that past - has been employed ...
BG REACH was a creative arts project supporting the people of Blaenau Gwent to make art, music, crea...
This paper centres on a major industrial heritage landmark in central Scotland known as the ‘Five Si...
Landscape exists within human perception. The unseen histories and stories of a place are part of ou...
This research note draws from ethnographic research on artistic practice in postdevolution Wales. Mo...
This paper is based on the research done for my PhD up to this point. Being barely a year into my ca...
This short photographic essay emerges from the recognition that identity, landscapes and heritage la...
Ffotogallery’s photographic survey and archive The Valleys Project was initiated at a time of signif...
The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period w...
The former industrial heartland of South Wales is a complex mix of urban and rural morphology with a...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners'...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners ...
This study explores its central question—How do people imagine Wales and Welsh identity?—by examinin...
PhD ThesisThis thesis examines relationships between community, heritage and identity in a diaspori...
During the course of this article I explore the concept of cultural modernization and identity as it...
History - both in the sense of the past itself and representations of that past - has been employed ...
BG REACH was a creative arts project supporting the people of Blaenau Gwent to make art, music, crea...
This paper centres on a major industrial heritage landmark in central Scotland known as the ‘Five Si...
Landscape exists within human perception. The unseen histories and stories of a place are part of ou...
This research note draws from ethnographic research on artistic practice in postdevolution Wales. Mo...
This paper is based on the research done for my PhD up to this point. Being barely a year into my ca...
This short photographic essay emerges from the recognition that identity, landscapes and heritage la...
Ffotogallery’s photographic survey and archive The Valleys Project was initiated at a time of signif...
The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period w...