For various historically documented reasons, women have always been considered a paradigm of either virtue or perversion. In this article, we focus firstly on the image of women as reflected in medieval illuminated manuscripts, where portrayals raged from mainly mystics in convents, saints, mothers, damsels in distress, labourers in the fields and even women of ill character. Apart from that, we mention the role of women as writers and illustrators of Manuscripts. Secondly, we have a brief look at modern western art, based on the heritage of medieval art, that carries on even further the stereotyped image of women, systematically objectifying them. Thirdly and finally, we examine how this has influenced today's advertising depictions of wom...
The usefulness of religious images to the Christian Church in late-medieval Europe had long been app...
This dissertation contributes to the current discussion on the influence of genre on gender represen...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...
In mediaeval art, personifications of virtues and vices are often represented as women. This article...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
For medieval audiences women occupied a specific, designated cultural area which, while they could ...
This bibliography focuses on images of women in medieval literature rather than on medieval women wr...
My work explores the importance and presence of the female body in medieval religious practice as ex...
In this essay I will compare depictions of women in Northern Renaissance prints and the modern media...
This thesis explores the impact of gender and religious piety on expressions of women’s agency in La...
This thesis deals with the two partially interlocking aspects of female patronage and female spirit...
Scholars including Christine Fell, Pauline Stafford and Catherine Cubitt have tried to explain the s...
While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we ...
abstract: This thesis focuses on the erotic depictions of Lucretia and Susanna in Renaissance art. B...
Gothic illumination, which embraced a wide range of topics and plots, was, on the one hand, focused ...
The usefulness of religious images to the Christian Church in late-medieval Europe had long been app...
This dissertation contributes to the current discussion on the influence of genre on gender represen...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...
In mediaeval art, personifications of virtues and vices are often represented as women. This article...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
For medieval audiences women occupied a specific, designated cultural area which, while they could ...
This bibliography focuses on images of women in medieval literature rather than on medieval women wr...
My work explores the importance and presence of the female body in medieval religious practice as ex...
In this essay I will compare depictions of women in Northern Renaissance prints and the modern media...
This thesis explores the impact of gender and religious piety on expressions of women’s agency in La...
This thesis deals with the two partially interlocking aspects of female patronage and female spirit...
Scholars including Christine Fell, Pauline Stafford and Catherine Cubitt have tried to explain the s...
While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we ...
abstract: This thesis focuses on the erotic depictions of Lucretia and Susanna in Renaissance art. B...
Gothic illumination, which embraced a wide range of topics and plots, was, on the one hand, focused ...
The usefulness of religious images to the Christian Church in late-medieval Europe had long been app...
This dissertation contributes to the current discussion on the influence of genre on gender represen...
With a corpus of one hundred and twenty-seven illuminations, from eighty-one manuscripts painted in ...