From his earliest works, Xenakis has conceived his music in terms of textures and sound masses. The analytical approach introduced here for a study of the recent string quartet, Tetras, takes such sonic entities as its point of departure. The inside-time structure is described in terms of the temporal succession of these entities and the outside-time relationships established between them by means of a whole range of parametrical entities. While the sonic and parametrical entities need to be specified for each piece, it is shown that this approach can be profitably applied to the complete Xenakis oeuvre
In the preface to the score of Metastaseis (1953-54), Xenakis indicates that certain of the work’s f...
Musical pieces composed for a percussion ensemble form a signifi cant portion of Iannis Xenakis’s cr...
In this paper, Xenakis ’ idea of space which plays an important role in his works will be presented....
This paper is an analytical approach to Xenakis’s 1990 string quartet Tetora. The analysis reflects ...
One of the features that distinguishes Iannis Xenakis’s music is its non-teleological form. Even in ...
This thesis is divided in three parts, the fITst two ofwhich are theoretical and the third analytica...
Space has been one of the major topics in the work of Iannis Xenakis throughout the decades, but a f...
Do, 24.11.2011 17:00 Makis Solomos: The notion of space in Xenakis' music Fr, 25.11.2011 17:00 Z...
Iannis Xenakis was a prolific composer who accompanied his work with theoretical writings. Also trai...
In this paper we present an analysis of Iannis Xenakis’s Terretektorh (1965-66) considering the mann...
This research focuses on the electroacoustic tape music of the French-Greek composer Iannis Xenakis ...
This article offers a general view of Xenakis’s musical world, focusing on three of its main charact...
The use of abstract groups marked an important change in Xenakis' compositional processes. Whereas "...
International audienceOne of the main revolutions —and maybe the most important one— of twentieth ce...
In this article, we will analyze the way in which Xenakis uses space, fills it with sound and colors...
In the preface to the score of Metastaseis (1953-54), Xenakis indicates that certain of the work’s f...
Musical pieces composed for a percussion ensemble form a signifi cant portion of Iannis Xenakis’s cr...
In this paper, Xenakis ’ idea of space which plays an important role in his works will be presented....
This paper is an analytical approach to Xenakis’s 1990 string quartet Tetora. The analysis reflects ...
One of the features that distinguishes Iannis Xenakis’s music is its non-teleological form. Even in ...
This thesis is divided in three parts, the fITst two ofwhich are theoretical and the third analytica...
Space has been one of the major topics in the work of Iannis Xenakis throughout the decades, but a f...
Do, 24.11.2011 17:00 Makis Solomos: The notion of space in Xenakis' music Fr, 25.11.2011 17:00 Z...
Iannis Xenakis was a prolific composer who accompanied his work with theoretical writings. Also trai...
In this paper we present an analysis of Iannis Xenakis’s Terretektorh (1965-66) considering the mann...
This research focuses on the electroacoustic tape music of the French-Greek composer Iannis Xenakis ...
This article offers a general view of Xenakis’s musical world, focusing on three of its main charact...
The use of abstract groups marked an important change in Xenakis' compositional processes. Whereas "...
International audienceOne of the main revolutions —and maybe the most important one— of twentieth ce...
In this article, we will analyze the way in which Xenakis uses space, fills it with sound and colors...
In the preface to the score of Metastaseis (1953-54), Xenakis indicates that certain of the work’s f...
Musical pieces composed for a percussion ensemble form a signifi cant portion of Iannis Xenakis’s cr...
In this paper, Xenakis ’ idea of space which plays an important role in his works will be presented....