peer-reviewedThe question of where ghosts live can hardly be addressed without speaking of a haunted house. This essay reads Don DeLillo s novel The Body Artist, in which there is a ghost called Mr. Tuttle who haunts the house of Lauren Hartke, the body artist, as a text grafted onto Jacques Derrida s Dissemination. The essay takes as its starting point the first words spoken in DeLillo s text, I want to say something but what , a quasi question directed to Lauren by her husband Rey, in order to ask if it can ever be said what lies on the other side of what , or if it remains forever unknowable, or unheard, at an infinite remove , even if it is one s self. It is Rey s suicide, and Lauren s subsequent work of mourning, which locates DeL...
Literature, this paper argues, is a privileged language that can give form to those specters of exis...
The core of this article was originally published in an issue on “empowerment” in the Nova Scotia Co...
Ghosts are everywhere. Ghost is a concept for which there is no referent, no evidence, anywhere, any...
It is diffcult to provide an insightful overview of Don DeLillo’s fction without commenting upon the...
This ‘fabulous’ essay sketches a hauntological bond of debts between Shakespeare and Derrida as a co...
The article investigates the nature of "spectral" or ghostly writing by retracing notions of loss an...
This dissertation examines formal innovations in contemporary novels that revise the way reading hap...
Material and immaterial, dead and alive, tangible and intangible: the ghost is an aporia that does n...
We are living in a new era of haunting, one in which (as the essays published here suggest) we find ...
In her article Roth\u27s Humorous Art of Ghost Writing Paule Lévy analyses Philip Roth\u27s Exit G...
While the ghost may be a device for resolving past issues in literature, its presence in the archive...
This work of semi-autobiographical Gothic fiction explores ideas about mourning espoused by Jacques ...
Although de la Mare, whose literary career spanned from 1895 to 1956, is a significant figure for bo...
In this paper, the author responds to the Moules and Estefan (2018) Editorial “Watching My Mother Di...
PhDThe 'haunted home' has enjoyed a long-standing position as a motif within society, crossing a sp...
Literature, this paper argues, is a privileged language that can give form to those specters of exis...
The core of this article was originally published in an issue on “empowerment” in the Nova Scotia Co...
Ghosts are everywhere. Ghost is a concept for which there is no referent, no evidence, anywhere, any...
It is diffcult to provide an insightful overview of Don DeLillo’s fction without commenting upon the...
This ‘fabulous’ essay sketches a hauntological bond of debts between Shakespeare and Derrida as a co...
The article investigates the nature of "spectral" or ghostly writing by retracing notions of loss an...
This dissertation examines formal innovations in contemporary novels that revise the way reading hap...
Material and immaterial, dead and alive, tangible and intangible: the ghost is an aporia that does n...
We are living in a new era of haunting, one in which (as the essays published here suggest) we find ...
In her article Roth\u27s Humorous Art of Ghost Writing Paule Lévy analyses Philip Roth\u27s Exit G...
While the ghost may be a device for resolving past issues in literature, its presence in the archive...
This work of semi-autobiographical Gothic fiction explores ideas about mourning espoused by Jacques ...
Although de la Mare, whose literary career spanned from 1895 to 1956, is a significant figure for bo...
In this paper, the author responds to the Moules and Estefan (2018) Editorial “Watching My Mother Di...
PhDThe 'haunted home' has enjoyed a long-standing position as a motif within society, crossing a sp...
Literature, this paper argues, is a privileged language that can give form to those specters of exis...
The core of this article was originally published in an issue on “empowerment” in the Nova Scotia Co...
Ghosts are everywhere. Ghost is a concept for which there is no referent, no evidence, anywhere, any...