Prior to the 1980s the music curriculum consisted of class-singing, sol-fah deciphering and music appreciation. Typical resources were the piano, the Curwen modulator, numerous sets of song and sight-reading books (to suit single gender class groupings) and a record player. More enlightened teachers would have some percussion instruments or recorders in the classroom and, from the 1970s, the odd guitar. The Scottish Examination Board 'O' Grade examination at the end of year 4 was designed to be overtaken by pupils who had expertise on an instrument or voice to the equivalent of Associated Board Grade 5, tuition on which was given outwith the classroom while the teacher concentrated on historical study, rudiments and analysis. Such elitism f...
Although the provision of music education in Victorian state-financed secondary schools appears to h...
declaration in 1989 have important implications for music education. If music is to survive in the s...
The two authors are involved in ground breaking work in Scotland, developing the introduction and us...
This paper gives the first insight into the establishment and development of the Strathclyde Consort...
The chapter explores the historical development of music education in Scottish secondary schools and...
What drives young people to become involved in music making in the secondary school? Changes to the ...
Composition, or “inventing” as it is sometimes known in the music curriculum in Scotland, provides o...
Chapter and Analytical Short Films show the Scottish “aspects of quality” of music education. Four k...
Classroom music teachers in England design their own music curricula for Key Stage 3 (11 – 14 year o...
© 1978 Dr. Robin Sydney StevensThis investigation considers the development of class music teaching ...
One of the most pressing problems for contemporary school education is an overcrowded curriculum. Th...
Music education has been part of the New Zealand curriculum since the nineteenth century yet it has...
Vol. 7. No. 2 Nov 2017 Professor Martin Fautley is director of research in the School of Education ...
The purpose of this study was to trace the evolution of the general music education programme in pri...
This paper has been initiated by my awareness of a lack of concern in many areas of music teaching i...
Although the provision of music education in Victorian state-financed secondary schools appears to h...
declaration in 1989 have important implications for music education. If music is to survive in the s...
The two authors are involved in ground breaking work in Scotland, developing the introduction and us...
This paper gives the first insight into the establishment and development of the Strathclyde Consort...
The chapter explores the historical development of music education in Scottish secondary schools and...
What drives young people to become involved in music making in the secondary school? Changes to the ...
Composition, or “inventing” as it is sometimes known in the music curriculum in Scotland, provides o...
Chapter and Analytical Short Films show the Scottish “aspects of quality” of music education. Four k...
Classroom music teachers in England design their own music curricula for Key Stage 3 (11 – 14 year o...
© 1978 Dr. Robin Sydney StevensThis investigation considers the development of class music teaching ...
One of the most pressing problems for contemporary school education is an overcrowded curriculum. Th...
Music education has been part of the New Zealand curriculum since the nineteenth century yet it has...
Vol. 7. No. 2 Nov 2017 Professor Martin Fautley is director of research in the School of Education ...
The purpose of this study was to trace the evolution of the general music education programme in pri...
This paper has been initiated by my awareness of a lack of concern in many areas of music teaching i...
Although the provision of music education in Victorian state-financed secondary schools appears to h...
declaration in 1989 have important implications for music education. If music is to survive in the s...
The two authors are involved in ground breaking work in Scotland, developing the introduction and us...