Add to ORKGThe lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and Preludes focusing on the relationships between both the "idiomatic" fingerings/shapes employed by Villa-Lobos and their the harmonic and formal design of each composition. The emphasis is emphasis on Etude number 12, though there is further discussion of how early twentieth century compositional trends were incorporated in the Etudes, Preludes and Choros of Villa-Lobos. Audio/visual recording of a lecture-presentation given for the Big Guitar Weekend event at the Royal Scottish Academy of Music and Drama 10 November 2009
Includes recorded audio files in WAV and MP3 formats, 57:19 in lengthCompositions chosen for this re...
Although primarily known as a violinist, Paganini was also an accomplished guitarist and mandolinist...
The present communication proposal is inserted in the scope of the Investigation Project “Jorge Peix...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
The subject of this document is the embedded didactic purpose of concert pieces for the guitar writt...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
Includes bibliographical references (page 10)This is a recital in partial fulfillment of the Master ...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
Studies of virtuosity in the eighteenth and nineteenth centuries have tended to focus on the piano a...
Includes recorded audio files in WAV and MP3 formats, 43:01 in length.The pieces that have been sele...
Along with the structural analysis of the preludes, an interpretive analysis is extremely necessary ...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
This submission for the degree of Master of Music at the Elder Conservatorium of Music explores, thr...
Includes recorded audio files in WAV and MP3 formats, 57:19 in lengthCompositions chosen for this re...
Although primarily known as a violinist, Paganini was also an accomplished guitarist and mandolinist...
The present communication proposal is inserted in the scope of the Investigation Project “Jorge Peix...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
The subject of this document is the embedded didactic purpose of concert pieces for the guitar writt...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
Includes bibliographical references (page 10)This is a recital in partial fulfillment of the Master ...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
Studies of virtuosity in the eighteenth and nineteenth centuries have tended to focus on the piano a...
Includes recorded audio files in WAV and MP3 formats, 43:01 in length.The pieces that have been sele...
Along with the structural analysis of the preludes, an interpretive analysis is extremely necessary ...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
This submission for the degree of Master of Music at the Elder Conservatorium of Music explores, thr...
Includes recorded audio files in WAV and MP3 formats, 57:19 in lengthCompositions chosen for this re...
Although primarily known as a violinist, Paganini was also an accomplished guitarist and mandolinist...
The present communication proposal is inserted in the scope of the Investigation Project “Jorge Peix...