This display represents all items archived (to date) in the collection of the late Renwick Ambrose Matheton. A known eccentric and occult enthusiast, Matheton spent his lifetime procuring and cataloging artifacts pertaining to a previously undiscovered civilization - one that seemingly pre-dates the continental schism of Pangaea. Through research, speculation, and the aid of Matheton's coded and cryptic notes, these objects have been identified and categorized to compile this exhibition. Finding the connections between these artifacts became the force driving his every waking moment, some say driving him to madness. Many of the ephemera included in this exhibition are works of his own, attempts to recreate the technologies of these ancien...
Marc Dion, in collaboration with British artist Robert Williams, borrowed the scheme of the family t...
Text from gallery website: We pleased to present Artefacts, a group exhibition looking at differe...
A fascination with objects turned away from their original function lies at the root of surrealist t...
This thesis examines the concepts and visual strategies employed within the sixteenth- and seventeen...
Rembrandt’s famous painting of an anatomy lesson, the shrunken head of an Australian indigenous lead...
A group exhibition including works by Anonymous, Charles Avery, Marcel Broodthaers, Steven Claydon, ...
Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into...
Collections are artefacts—constructions that come into being when objects are physically or conceptu...
This thesis proposes that there are specific artists whose practices utilise a collecting methodolog...
The author discusses a group of fourteen faience figurines that entered the collection of the Britis...
In his book, Science in the Service of Empire: Joseph Banks, The British State and the Uses of Scien...
Over his long life Sigmund Freud collected at least 2500 antiquities, most of which are now on view ...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
When the British Museum opened its doors more than two centuries ago, scores of visitors waited eage...
This exciting new study draws on objects excavated or discovered in the late nineteenth or early twe...
Marc Dion, in collaboration with British artist Robert Williams, borrowed the scheme of the family t...
Text from gallery website: We pleased to present Artefacts, a group exhibition looking at differe...
A fascination with objects turned away from their original function lies at the root of surrealist t...
This thesis examines the concepts and visual strategies employed within the sixteenth- and seventeen...
Rembrandt’s famous painting of an anatomy lesson, the shrunken head of an Australian indigenous lead...
A group exhibition including works by Anonymous, Charles Avery, Marcel Broodthaers, Steven Claydon, ...
Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into...
Collections are artefacts—constructions that come into being when objects are physically or conceptu...
This thesis proposes that there are specific artists whose practices utilise a collecting methodolog...
The author discusses a group of fourteen faience figurines that entered the collection of the Britis...
In his book, Science in the Service of Empire: Joseph Banks, The British State and the Uses of Scien...
Over his long life Sigmund Freud collected at least 2500 antiquities, most of which are now on view ...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
When the British Museum opened its doors more than two centuries ago, scores of visitors waited eage...
This exciting new study draws on objects excavated or discovered in the late nineteenth or early twe...
Marc Dion, in collaboration with British artist Robert Williams, borrowed the scheme of the family t...
Text from gallery website: We pleased to present Artefacts, a group exhibition looking at differe...
A fascination with objects turned away from their original function lies at the root of surrealist t...