Documentation of ongoing artistic research undertaken by the Returns collective, Andrew Brown, Joanne Lee, Danica Maier and Christine Stevens. Images were included of works created by each of the 4 members of Returns, displayed at the following exhibitions: 'Topographies of the Obsolete' (Stoke-on-Trent, 2013), 'Returns' (Nottingham, 2015), 'In Return' (Sheffield, 2016), and 're-turning' (Hanley, 2018
Our composition brings together poetry, music, images and personal narratives based around the exper...
Last year, the Royal Society of Edinburgh awarded a major grant to the University of Glasgow and Na...
It seems best to begin this paper with a brief account of the origins of the Return,Reconcile Renew ...
Re-Turning is the most recent investigation by the Returns group, an ongoing project involving four ...
Returns is part of an on-going collaboration between Nottingham Trent University and Sheffield Halla...
Sheffield Institute of the Arts Gallery, Sheffield. February 2nd – 21st 2016. 'In Return' pres...
In return presents the latest work of Returns, a group of artist researchers from Sheffield Hallam U...
The Rejoinders was an artist practitioner network involving researchers in India and Wales, funded b...
The Rejoinders was an artist practitioner network involving researchers in India and Wales, funded b...
NOTES on a return featured a series of exhibitions and a symposium, which revisited five live artwor...
Archival Returns explores how communities, museums and researchers are working together to return cu...
The Re-Fashioned exhibition presented work by four artists that connect through the use of garments ...
This series constituted the only work from a Western Australian artist included in PHOTO2020, a majo...
The purpose and underlying motivation for this project was to examine the procedure of garment const...
‘Unwrapping the Line’ represented drawings by five creative practitioners; C. Hodes, F. Geesin, N. H...
Our composition brings together poetry, music, images and personal narratives based around the exper...
Last year, the Royal Society of Edinburgh awarded a major grant to the University of Glasgow and Na...
It seems best to begin this paper with a brief account of the origins of the Return,Reconcile Renew ...
Re-Turning is the most recent investigation by the Returns group, an ongoing project involving four ...
Returns is part of an on-going collaboration between Nottingham Trent University and Sheffield Halla...
Sheffield Institute of the Arts Gallery, Sheffield. February 2nd – 21st 2016. 'In Return' pres...
In return presents the latest work of Returns, a group of artist researchers from Sheffield Hallam U...
The Rejoinders was an artist practitioner network involving researchers in India and Wales, funded b...
The Rejoinders was an artist practitioner network involving researchers in India and Wales, funded b...
NOTES on a return featured a series of exhibitions and a symposium, which revisited five live artwor...
Archival Returns explores how communities, museums and researchers are working together to return cu...
The Re-Fashioned exhibition presented work by four artists that connect through the use of garments ...
This series constituted the only work from a Western Australian artist included in PHOTO2020, a majo...
The purpose and underlying motivation for this project was to examine the procedure of garment const...
‘Unwrapping the Line’ represented drawings by five creative practitioners; C. Hodes, F. Geesin, N. H...
Our composition brings together poetry, music, images and personal narratives based around the exper...
Last year, the Royal Society of Edinburgh awarded a major grant to the University of Glasgow and Na...
It seems best to begin this paper with a brief account of the origins of the Return,Reconcile Renew ...
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