Cet essai examine la pertinence éloquente des éléments d'architecture dans les films de Stanley Kubrick. Les propositions de Hermann Muthesius et Frank Lloyd Wright concernant les rapports entre la forme et l'architecture sont considérés comme une base théorique pour explorer les voies selon lesquelles des éléments comme les fenêtres, les cages d'escalier, les corridors et l'ornement prennent des fonctions symboliques et narratives chez Kubrick.This essay examines the expressive relevance of architectural elements in the films of Stanley Kubrick. The proposals of Hermann Muthesius and Frank Lloyd Wright concerning the relationships of fu...
This article tackles with the architectural treatment in the film A Clockwork Orange. Aimed at creat...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
S’interroger sur le décor de cinéma parait ouvrir un champ de recherche illimité, surtout lorsqu’il ...
This essay explores and posits Stanley Kubrick’s relationship to the medium of television through a ...
The aim of this essay is to explore and discuss the legacy of Kubrick in the post-2000 work of Steph...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract For the construction of the Overlook Hotel (The Shining, 1980) Stanley Kubrick recreates, ...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Stanley Kubrick and Ken Russell, at first, seem like unlikely bedfellows for a critical comparative ...
This article tackles with the architectural treatment in the film A Clockwork Orange. Aimed at creat...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
S’interroger sur le décor de cinéma parait ouvrir un champ de recherche illimité, surtout lorsqu’il ...
This essay explores and posits Stanley Kubrick’s relationship to the medium of television through a ...
The aim of this essay is to explore and discuss the legacy of Kubrick in the post-2000 work of Steph...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract For the construction of the Overlook Hotel (The Shining, 1980) Stanley Kubrick recreates, ...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Stanley Kubrick and Ken Russell, at first, seem like unlikely bedfellows for a critical comparative ...
This article tackles with the architectural treatment in the film A Clockwork Orange. Aimed at creat...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...
Abstract In cinematography, Stanley Kubrick is universally known as one of the most significant pro...