Add to ORKGNote: there are two errors on the abstract. This was an Oral Presentaion, not a Music Presentation as listed. The Faculty Advisor was Adriana Ponce, and not David Vayo
Bridging Opera for Common Audiences Recital Lecture Series, and the Damnation of Desdemona, two gra...
Several interpretations in performances, recordings, and publications of Giuseppe Verdi's Messa da ...
Foreword to Aria Da Capo The libretto of the opera is a verbatim setting of Edna St. Vincent Millay\...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Includes abstracts by Francesco Izzo ( \u27Quel vecchio\u27: Some Thoughts on Old Age and Aging in V...
Abstracts of papers about Giuseppe Verdi and his works, presented at joint meetings of the AIVS and ...
Ave Maria from OTELLO by Giuseppe Verdi (1813–1901) Performed by Alexis Raymond Faculty Mentor: Dr. ...
This is the concert program of David Rosen's lecture, Verdi's "Messa da Requiem:" Some Thoughts on i...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
This paper has examined the musical techniques used by Verdi in Un ballo in maschera to communicate...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
Performers and scholars continue to debate the proper performance practice of mid-nineteenth century...
This article retraces Giuseppe Verdi's Otello (1887) to the great Italian mattatori (star actors), p...
Bridging Opera for Common Audiences Recital Lecture Series, and the Damnation of Desdemona, two gra...
Bridging Opera for Common Audiences Recital Lecture Series, and the Damnation of Desdemona, two gra...
Several interpretations in performances, recordings, and publications of Giuseppe Verdi's Messa da ...
Foreword to Aria Da Capo The libretto of the opera is a verbatim setting of Edna St. Vincent Millay\...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Includes abstracts by Francesco Izzo ( \u27Quel vecchio\u27: Some Thoughts on Old Age and Aging in V...
Abstracts of papers about Giuseppe Verdi and his works, presented at joint meetings of the AIVS and ...
Ave Maria from OTELLO by Giuseppe Verdi (1813–1901) Performed by Alexis Raymond Faculty Mentor: Dr. ...
This is the concert program of David Rosen's lecture, Verdi's "Messa da Requiem:" Some Thoughts on i...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
This paper has examined the musical techniques used by Verdi in Un ballo in maschera to communicate...
Giuseppe Verdi was an opera composer who revolutionized the Italian opera with his approach to drama...
Performers and scholars continue to debate the proper performance practice of mid-nineteenth century...
This article retraces Giuseppe Verdi's Otello (1887) to the great Italian mattatori (star actors), p...
Bridging Opera for Common Audiences Recital Lecture Series, and the Damnation of Desdemona, two gra...
Bridging Opera for Common Audiences Recital Lecture Series, and the Damnation of Desdemona, two gra...
Several interpretations in performances, recordings, and publications of Giuseppe Verdi's Messa da ...
Foreword to Aria Da Capo The libretto of the opera is a verbatim setting of Edna St. Vincent Millay\...