This article discusses the origins of the commercialization of rural Southern music into the country music genre. It also discusses the way that the music was changed from an oral tradition to something to passively listen to
This study parallels changes occurring within country music and southern society in the years betwee...
This thesis examines the intersection of business and aesthetics, music, and overlapping networks of...
Appalachian old-time music, or acoustic folk music from the southern Appalachians before the mid-192...
This article, which calls for a flexible and broad understanding of folk music, examines the role of...
Since at least the 1960s, scholars have viewed hillbilly music as essentially a commercialized form ...
Article describes the continuation of the folk music tradition of Oklahoma in the coffeehouse moveme...
Excerpt: In a recent interview, musician Wynton Marsalis said, “I can’t tell you how many times I’ve...
This thesis examines the social context that led to the emergence of country music as a commercial a...
Journal Summary: Bluegrass and Old Time Country Music: Buried Roots is a collection of articles by n...
This thesis was submitted to the Department of History of the University of Kansas in partial fulfil...
Excerpt: The so-called 1927 Bristol sessions—the recording sessions conducted in Bristol, Tennessee/...
In the United States, folk musicians are commonly perceived as a liberal, progressive and politicall...
Although country music and its antecedents have received attention primarily as cultural phenomena o...
In a previous article in this Journal (1997), the author has outlined Lloyd’s early involvement with...
In a previous article in this Journal (1997), the author has outlined Lloyd's early involvement wit...
This study parallels changes occurring within country music and southern society in the years betwee...
This thesis examines the intersection of business and aesthetics, music, and overlapping networks of...
Appalachian old-time music, or acoustic folk music from the southern Appalachians before the mid-192...
This article, which calls for a flexible and broad understanding of folk music, examines the role of...
Since at least the 1960s, scholars have viewed hillbilly music as essentially a commercialized form ...
Article describes the continuation of the folk music tradition of Oklahoma in the coffeehouse moveme...
Excerpt: In a recent interview, musician Wynton Marsalis said, “I can’t tell you how many times I’ve...
This thesis examines the social context that led to the emergence of country music as a commercial a...
Journal Summary: Bluegrass and Old Time Country Music: Buried Roots is a collection of articles by n...
This thesis was submitted to the Department of History of the University of Kansas in partial fulfil...
Excerpt: The so-called 1927 Bristol sessions—the recording sessions conducted in Bristol, Tennessee/...
In the United States, folk musicians are commonly perceived as a liberal, progressive and politicall...
Although country music and its antecedents have received attention primarily as cultural phenomena o...
In a previous article in this Journal (1997), the author has outlined Lloyd’s early involvement with...
In a previous article in this Journal (1997), the author has outlined Lloyd's early involvement wit...
This study parallels changes occurring within country music and southern society in the years betwee...
This thesis examines the intersection of business and aesthetics, music, and overlapping networks of...
Appalachian old-time music, or acoustic folk music from the southern Appalachians before the mid-192...