Norwid’s reliance on gestures, behaviours and interactions in his poetry unveils the anthropological foundations of his line of thought. These foundations enable our understanding of his working philosophy, words and letters. Interactions make part of his discourse infrastructure, as defined in behavioural research, which developed no sooner than the 1950s and the 1960 (e.g. Lorenz, Goffman, Hall, Berne or Turner). Applying these categories to analyse Norwid’s Promethidion (1850) and Rzecz o wolnosci słowa [On the freedom of the Word] (1869) as well as such other poems like Fatum or Rozebrana [Partitioned] helps us observe how humanity emerges out of amazement – that how consciousness and the experience of work undergo sublimation to turn i...