This article analyses William Castle’s film production from 1958 to 1961, a period that includes the release of his independent horror movies Macabre, House on Haunted Hill, The Tingler, 13 Ghosts, Homicidal and Mr. Sardonicus. To do so, this case study is developed with a diachronic approach to learn about the gimmicks that the filmmaker applied to such movies, as well as the special effects integrated in them, with the aim of endorsing its technological and socio-cultural legacy in the history of cinema.Este artículo analiza la producción cinematográfica realizada por William Castle desde 1958 hasta 1961, período que abarca el estreno de sus películas independientes de terror, Macabre, House on Haunted Hill, The Tingler, 13 Ghosts, Homici...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
This article studies the origins of 4D cinema through William Castle’s gimmick cycle between 1958 an...
Since the beginning of the millennium, a sector of the Spanish cultural activity has been ...
En este ensayo se analizarán los elementos clave que el director utiliza en sus películas, tales com...
The cinema, as mass media, reflects and propagates values present in the reality even in the genres ...
Por sus efectos, el cine de horror ha apelado a la idea del "otro" por medio de la figura del monstr...
La hipótesis de partida del presente artículo es que el cine de horror florece en los períodos de cr...
La franquicia Rec, de Jaume Balagueró y Paco Plaza, mantiene una doble naturaleza identitaria: local...
The article explores how have been represented the terrorism in the world of films. We selected diff...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
En El espinazo del diablo (2001) el director mexicano Guillermo del Toro ofrece una re-visión/re-esc...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
This article studies the origins of 4D cinema through William Castle’s gimmick cycle between 1958 an...
Since the beginning of the millennium, a sector of the Spanish cultural activity has been ...
En este ensayo se analizarán los elementos clave que el director utiliza en sus películas, tales com...
The cinema, as mass media, reflects and propagates values present in the reality even in the genres ...
Por sus efectos, el cine de horror ha apelado a la idea del "otro" por medio de la figura del monstr...
La hipótesis de partida del presente artículo es que el cine de horror florece en los períodos de cr...
La franquicia Rec, de Jaume Balagueró y Paco Plaza, mantiene una doble naturaleza identitaria: local...
The article explores how have been represented the terrorism in the world of films. We selected diff...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
En El espinazo del diablo (2001) el director mexicano Guillermo del Toro ofrece una re-visión/re-esc...
Esta tesis propone un estudio estético de la representación documental del horror en el cine contemp...
In the article they present five moments of the Colombian cinema and his correlate with historical e...
In the article they present five moments of the Colombian cinema and his correlate with historical e...