On the discourse of Shukujin that described by Konparu Zenchiku in his 'Ｍeishuku−shu'

Konparu Zenchiku who was a son in the law of Ζeami was noh actor at fifteenth century. He described 'Meishuku-shu' in which he define that okina is shukujin. Shukujin is a God who show himself in clear form of Sumiyosidaimyoujin or of Suwamyoujin or of the surface of rocks of Tsukuba-san. Firstly I will clear his discourse that has religious context such as Shugen-dou or Onmyou-dou especially at Tsukuba-san and I zu-san. Secondly I will analyze 'Sumiyosi-matsuba-taiki' that edited ancient documents and described comments of editor. Thirdly I will analyze the subtle words 'Sankou', 'Koujin', 'Henbai' in order to understand 'Meishuku-shu'. Fourthly I will analyze the topos where those people who have special accomplishments in performance or divination had lived. Because the topos is the entrance led to the underworld from periphery of kyoto. Finally I will focus on the discourse of Shukujin that described by Ζenchiku. That is the attempt to unify the meanings of various Gods that relate to the Sun, Moon, and Polestar