Add to ORKGONAI is an audio/visual duo that makes Electronic Bass music, combining complex soundscapes with captivating visual narratives. ONAI guides the listener through a journey that is carefully curated by both members of the group who specialize in audio and visual live performance. ONAI is pushing the envelope by experimenting with crowd reactive technologies, and harnessing the energy of the audience to enhance the A/V experience.https://remix.berklee.edu/graduate-studies-production-technology/1092/thumbnail.jp
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...
Gimmicks are a ubiquitous part of human culture. In competitive sports, marketing and advertising, ...
This article was originally published in The Prophet -- a journal created by and for the students at...
This is the introduction to a special edition of Popular Music focused on the theme of 'Popular Mus...
This paper discusses the use of recorded audio testimonies as agents of meaning through electroacous...
This article was originally published in The Prophet -- a journal created by and for the students at...
Within the broad field of musicology and music criticism the author as creative originator and autho...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
This brief article appeared as the Foreword to a collection of writings about music and sound in Buf...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...
Gimmicks are a ubiquitous part of human culture. In competitive sports, marketing and advertising, ...
This article was originally published in The Prophet -- a journal created by and for the students at...
This is the introduction to a special edition of Popular Music focused on the theme of 'Popular Mus...
This paper discusses the use of recorded audio testimonies as agents of meaning through electroacous...
This article was originally published in The Prophet -- a journal created by and for the students at...
Within the broad field of musicology and music criticism the author as creative originator and autho...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
This brief article appeared as the Foreword to a collection of writings about music and sound in Buf...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been i...
The authors of the ‘Conversational Rollercoaster’ article give a vivid and engaging account of a dif...
Gimmicks are a ubiquitous part of human culture. In competitive sports, marketing and advertising, ...
This article was originally published in The Prophet -- a journal created by and for the students at...