Oh, flower of Eastern silence\u27 : the influence of Indian religion on American fiction, 1882-1933

By demonstrating the interest that Mark Twain, Ellen Glasgow, and W. E. B. Du Bois had in certain aspects of Indian religious traditions, this study makes several new claims about American literature. First, three lesser-known novels by these respective writers–No. 44. The Mysterious Stranger, The Wheel of Life, and Dark Princess: A Romance—can be more fully understood and richly experienced when their authors\u27 interest in Indian religion is taken into consideration. Secondly, American writers have been more consistently and complexly interested in India than has been recognized. The critical commonplace is that Indian religion has primarily influenced poets connected with the Transcendentalist and Beat movements, but this study shows that American literary interest in India has continued from the early nineteenth century through the twentieth and that prose and poetry have been equally fruitful means of expressing such interest. A look at the different American perspectives on India also complicates the notion of Orientalism propounded by Edward Said. To be sure, India is often the object of Orientalist discourse, and two novels-Max Wvlie\u27s Hindu Heaven and Francis Marion Crawford\u27s Mr. Isaacs--help define the parameters of American Orientalism. However, in contradiction to Said\u27s insistence that Westerners writing about the East inevitably treat it as exterior or alien to themselves. Twain, Glasgow, and Du Bois find personal meaning in Indian concepts and accordingly create works of art that incorporate those ideas on a fundamental level. Their willingness to look to Indian religion as they search for a meaningful vision of human existence shows how they engage in a constructive cross-cultural encounter along the lines of Fred Dallmayr\u27s notion of Dialogical Exchange