In this thesis I examine the supplication within Aeschylus’ Suppliant Women through the lens of the expectations a tragic audience would have of the scene. By looking at all examples of supplication and all uses of ἱκετ- language in tragedy, expectations of the suppliant and the supplicandus become evident. The suppliant is expected to show reverence to the supplicandus, the receiver of the supplication. The suppliant typically does this in three main ways: the use of gesture, the presentation of objects, and the use of appeals. The supplicandus is expected to provide a response to the suppliant, by either rejecting the supplication if they are threatening the suppliant or accepting the supplication if they are saving the suppliant from ext...
The religious experience of women in ancient Greece is a difficult reality to uncover. There is very...
In this dissertation, I discuss the revolutionary ways in which the three great Attic tragedians Aes...
This dissertation investigates adultery and the appropriation of ritual space in Classical Greece, f...
Aeschylus’ (525–456 B.C.) drama the Suppliant women (Greek Hikétides, Lat. Supplices) is all certain...
D.Litt. et Phil.In the Oresteia of Aeschylus, the female characters meet with one of five different ...
The main goal of my thesis will be to study politeness strategies in supplications in Homer’s Odysse...
The focus of this thesis is that of the central role which personal responsibility plays in determin...
© 2021 John HenryIn Greek tragedy, there were various methods available for a tragic woman to destro...
The thesis aims to offer a typology of the various ways in which tragic women conceptualize and perf...
The hypothesis of this thesis is that, through an examination of the parodos of Aeschylus’ Agamemnon...
Suplicantes de Esquilo pone en escena una coyuntura común a toda mujer ateniense de la época clásica...
This thesis discusses the depiction of rulers in Aeschylus, Sophocles, and Euripides. It aims to dem...
In the logic of tragedy, Clytemnestra represents the distorted anti-model in regard to gender-role a...
The disqualification of Aeschylus\u27s Suppliants as our earliest surviving tragedy has inevitably l...
The supplicants or danaides (daan of Dánao) arrive at Argos defending their sexuality and freedom ag...
The religious experience of women in ancient Greece is a difficult reality to uncover. There is very...
In this dissertation, I discuss the revolutionary ways in which the three great Attic tragedians Aes...
This dissertation investigates adultery and the appropriation of ritual space in Classical Greece, f...
Aeschylus’ (525–456 B.C.) drama the Suppliant women (Greek Hikétides, Lat. Supplices) is all certain...
D.Litt. et Phil.In the Oresteia of Aeschylus, the female characters meet with one of five different ...
The main goal of my thesis will be to study politeness strategies in supplications in Homer’s Odysse...
The focus of this thesis is that of the central role which personal responsibility plays in determin...
© 2021 John HenryIn Greek tragedy, there were various methods available for a tragic woman to destro...
The thesis aims to offer a typology of the various ways in which tragic women conceptualize and perf...
The hypothesis of this thesis is that, through an examination of the parodos of Aeschylus’ Agamemnon...
Suplicantes de Esquilo pone en escena una coyuntura común a toda mujer ateniense de la época clásica...
This thesis discusses the depiction of rulers in Aeschylus, Sophocles, and Euripides. It aims to dem...
In the logic of tragedy, Clytemnestra represents the distorted anti-model in regard to gender-role a...
The disqualification of Aeschylus\u27s Suppliants as our earliest surviving tragedy has inevitably l...
The supplicants or danaides (daan of Dánao) arrive at Argos defending their sexuality and freedom ag...
The religious experience of women in ancient Greece is a difficult reality to uncover. There is very...
In this dissertation, I discuss the revolutionary ways in which the three great Attic tragedians Aes...
This dissertation investigates adultery and the appropriation of ritual space in Classical Greece, f...