Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of significant changes in music style, Brahms' early creative style still retained some traces of classical style. However, in his later years, he became more passionate about small genre lyrical works. I believe that these works must be the gentlest and most monologue works of Brahms' life. The interlude Op118 No.2, created in the late period of Brahms, possesses extremely clever creative techniques and extremely beautiful melodies, and is later known as the "Love Letter to Clara". The emotions and performance techniques involved are worth further exploration
This article presents two new hypotheses about Brahms's Alto Rhapsody, op. 53 (1869), a work Brahms ...
[[abstract]]英文摘要 The Brahms’ music has the beauty of both romantic and classic music and is full of ...
This paper examines Brahms’ utility as a musical transition between every budding musical era that c...
Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of...
We will compare and contrast the musical form of two Brahms sonatas (Cello No. 1 in E Minor and Viol...
In the name of scholarship, there has been a tendency to either downplay or ignore all together the ...
2 v. : music ; 28 cm. Awarded the Julius Herford Dissertation Award for Excellence in Doctoral Rese...
This study examines the unique qualities of Brahms’ Sonata op. 1 and places it in a historical and s...
In the Second Viennese School, Schoenberg, Berg, and Webern led a movement in music which stretched...
Note:At twenty years old, Johannes Brahms met Robert and Clara Schumann for the first time in 1853. ...
Brahms\u27s late piano works (opp. 116-19) reveal his sensitivity to the characteristics of conserva...
This study expands upon the common notion that Brahms's music evokes the autumnal by closely examini...
In recent years, a number of performance practice scholars writing on Brahms's piano music have comm...
Scherzo from Piano Sonata in F Minor by Johannes Brahms (1833 -1897) Performed by David Fraley Facul...
This article presents two new hypotheses about Brahms's Alto Rhapsody, op. 53 (1869), a work Brahms ...
This article presents two new hypotheses about Brahms's Alto Rhapsody, op. 53 (1869), a work Brahms ...
[[abstract]]英文摘要 The Brahms’ music has the beauty of both romantic and classic music and is full of ...
This paper examines Brahms’ utility as a musical transition between every budding musical era that c...
Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of...
We will compare and contrast the musical form of two Brahms sonatas (Cello No. 1 in E Minor and Viol...
In the name of scholarship, there has been a tendency to either downplay or ignore all together the ...
2 v. : music ; 28 cm. Awarded the Julius Herford Dissertation Award for Excellence in Doctoral Rese...
This study examines the unique qualities of Brahms’ Sonata op. 1 and places it in a historical and s...
In the Second Viennese School, Schoenberg, Berg, and Webern led a movement in music which stretched...
Note:At twenty years old, Johannes Brahms met Robert and Clara Schumann for the first time in 1853. ...
Brahms\u27s late piano works (opp. 116-19) reveal his sensitivity to the characteristics of conserva...
This study expands upon the common notion that Brahms's music evokes the autumnal by closely examini...
In recent years, a number of performance practice scholars writing on Brahms's piano music have comm...
Scherzo from Piano Sonata in F Minor by Johannes Brahms (1833 -1897) Performed by David Fraley Facul...
This article presents two new hypotheses about Brahms's Alto Rhapsody, op. 53 (1869), a work Brahms ...
This article presents two new hypotheses about Brahms's Alto Rhapsody, op. 53 (1869), a work Brahms ...
[[abstract]]英文摘要 The Brahms’ music has the beauty of both romantic and classic music and is full of ...
This paper examines Brahms’ utility as a musical transition between every budding musical era that c...