Analysis Full LetterAn-Naba’ In Mushaf Maghribi Karya Belaid Hamidi Al-Khattat

The development of mushaf writing from time to time shows changes with their respective characteristics. Starting from leafless writing until there were vowels, waqf signs, and various kinds of script (khat) like today's mushaf. With these various types of script, it certainly creates varied mushafs, especially in script that have different punctuation marks, such as mushafs written in Maghribi script. More specifically, this can be found in Juz Amma which is the favorite recitation of most Muslims because it can be used in daily worship. However, they often find it difficult to read and fear that it will lead to errors in meaning. Therefore, the research aims to describe the rules for writing Surah An-Naba' in the Maghribi Mushaf by Belaid Hamidi Al-Khattat. The type of research used is descriptive qualitative by collecting data through direct observation of Belaid Hamidi's Maghribi Mushaf, and interviews with informants who are three of his students. The results of this study indicate that the writing of Surah An-Naba' in the Maghribi Mushaf by Belaid Hamidi has special writing rules; First, there are striking differences in some of the letters, such as fa', qaf, kaf, shad, dal, and tho'. Second, it has a different form of vowel than usual, namely kasrah and fathah are straight vertically while dhummah is shaped like the comma above. Third, writing hamzah washal and qath' is adjusted to the vowel of the previous letter, if in kasrah there is one dot above and kasrah below the hamzah, if in fathah there is one dot and fathah above the hamzah, and if in dhummah there is one dot above and fathah in the middle of the hamzah. And fourth, it uses Rasm Imam Wars in writing