The digital revolution is generally perceived to have made 35mm slides obsolete, but somehow along the way, a shift has begun to transform what was viewed as old and defunct to trendy and nostalgic. In this article, I ponder how obsolete physical media, or contemporary substitutions, can disrupt our habitation in the increasingly digital world and bridge our longing for a past remembered or imagined and our desire to instill authenticity in our current moment
This article explores the various manifestations of analogue video in digital culture. Introducing t...
International audienceIt is becoming increasingly common for some source material to arrive on our d...
This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism...
Today, cinema is digital: 95 percent of all movie theatres worldwide are equipped with digital proje...
The title 'Changing Light' reflects the enormous changeover from analogue slides to digital images, ...
In 2004 the last of the Kodak slide carousels rolled off the production line and in 2009 Kodak stopp...
This essay takes its lead from considerations which reassuringly, and often nostalgically, restate t...
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of f...
The interest for lost media practices and materials appears intrinsic to contemporary popular and ma...
As celluloid film gives way to digital media’s dominance, I use this space to reflect on my personal...
Our memories can be precious, but they can also be flawed, changed over time to reflect what we want...
The computer and related technologies have invaded our daily lives, have changed the way we communic...
Residual media forms carry with them an imprint of the past, a palimpsest evoking memories of the pl...
Memory, tired of its metaphors of media that gave it substance, strength, and vitality in the world,...
Taking photographs seems no longer primarily an act of memory intended to safeguard a family's picto...
This article explores the various manifestations of analogue video in digital culture. Introducing t...
International audienceIt is becoming increasingly common for some source material to arrive on our d...
This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism...
Today, cinema is digital: 95 percent of all movie theatres worldwide are equipped with digital proje...
The title 'Changing Light' reflects the enormous changeover from analogue slides to digital images, ...
In 2004 the last of the Kodak slide carousels rolled off the production line and in 2009 Kodak stopp...
This essay takes its lead from considerations which reassuringly, and often nostalgically, restate t...
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of f...
The interest for lost media practices and materials appears intrinsic to contemporary popular and ma...
As celluloid film gives way to digital media’s dominance, I use this space to reflect on my personal...
Our memories can be precious, but they can also be flawed, changed over time to reflect what we want...
The computer and related technologies have invaded our daily lives, have changed the way we communic...
Residual media forms carry with them an imprint of the past, a palimpsest evoking memories of the pl...
Memory, tired of its metaphors of media that gave it substance, strength, and vitality in the world,...
Taking photographs seems no longer primarily an act of memory intended to safeguard a family's picto...
This article explores the various manifestations of analogue video in digital culture. Introducing t...
International audienceIt is becoming increasingly common for some source material to arrive on our d...
This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism...