This paper reports the results of particle size analysis and colour measurements concerning yellow powders, synthesised in our laboratories according to ancient recipes aiming at producing pigments for paintings, ceramics, and glasses. These pigments are based on lead and antimony as chemical elements, that, combined in different proportions and fired at different temperatures, times, and with various additives, gave materials of yellow colours, changing in hues and particle size. Artificial yellow pigments, based on lead and antimony, have been widely studied, but no specific investigation on particle size distribution and its correlation to colour hue has been performed before. In order to evaluate the particle size distribution, segmenta...
Lead-containing pigments (red lead, white lead), widely employed in paintings since Antiquity, are l...
Colorants are present in trace concentration in objects made of plastic and their identification is ...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
This paper reports the results of particle size analysis and colour measurements concerning yellow p...
This paper reports the results of particle size analysis and colour measurements concerning yellow p...
The aim of this study is to investigate the yellow pigments based on lead, tin, and antimony produce...
This study deals with the preparation of yellow pigments (lead-tin yellow type I and II, lead antimo...
© 2017 Elsevier Masson SAS This paper presents an investigation of yellow pigments based on lead, ti...
The aim of this work is to investigate the methods used for producing artificial yellow pigments (‘...
The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on ...
Le pigment blanc de plomb, composé de deux phases cristallines carbonates de plomb (cérusite PbCO3 e...
Dottorato di ricerca in Memoria e materia delle opere d'arte attraverso i processi di produzione, st...
The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary p...
Artificial yellow pigments (lead-tin yellow type I and type II, lead antimonate yellow and lead-tin-...
Lead-containing pigments (red lead, white lead), widely employed in paintings since Antiquity, are l...
Colorants are present in trace concentration in objects made of plastic and their identification is ...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
This paper reports the results of particle size analysis and colour measurements concerning yellow p...
This paper reports the results of particle size analysis and colour measurements concerning yellow p...
The aim of this study is to investigate the yellow pigments based on lead, tin, and antimony produce...
This study deals with the preparation of yellow pigments (lead-tin yellow type I and II, lead antimo...
© 2017 Elsevier Masson SAS This paper presents an investigation of yellow pigments based on lead, ti...
The aim of this work is to investigate the methods used for producing artificial yellow pigments (‘...
The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on ...
Le pigment blanc de plomb, composé de deux phases cristallines carbonates de plomb (cérusite PbCO3 e...
Dottorato di ricerca in Memoria e materia delle opere d'arte attraverso i processi di produzione, st...
The non-destructive, in-situ identification of synthetic organic pigments employed in contemporary p...
Artificial yellow pigments (lead-tin yellow type I and type II, lead antimonate yellow and lead-tin-...
Lead-containing pigments (red lead, white lead), widely employed in paintings since Antiquity, are l...
Colorants are present in trace concentration in objects made of plastic and their identification is ...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...