The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s past and recent ethno-politics, founded on the Sinhala/Other distinction. Innumerable conflicts have indeed marked Sri Lanka’s colonial and post-independence periods, including the 1915 Pogroms, the communal riots of 1956, and, more recently, the protracted war against terrorism that ended in 2010. It is in light of this troubled inheritance that this chapter aims to discuss representations of the Sri Lankan ethnic conflict (1983–2010) through the medium of film and to probe the question of art forms in relation to one of the first..
This article examines the dialogic encounter between the spectator and the spectacle in the context ...
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
Ethnic conflict is one of the biggest problems in the modern era. The ethnic conflict in Sri Lanka s...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
This thesis is an ethnography of the political work of popular photography in northern Sri Lanka. Fo...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
textThis project examines the literal and literary bodies associated with the Sinhalese-Tamil confli...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Sri Lanka is the theatre of a three decade long bloody ‘terrorist’ conflict, where terrorist strateg...
This article examines the uses of images of women fighters of the Liberation Tigers of Tamil Eelam d...
Because of Sri Lanka's 26-year-long ethnic conflict between the Sri Lankan government and militant g...
Documentary film is a popular resource amongst peacebuilding organisations and practitioners. Despit...
A history of ethnic conflict in Sri Lanka : recollection, reinterpretation & reconciliatio
Sri Lanka is a multi-communal country that consists of four major ethnicities, namely: Sinhalese, Ta...
ABSTRACT: The theatre is a reflection of social reality. Theatre can be described as ma...
This article examines the dialogic encounter between the spectator and the spectacle in the context ...
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
Ethnic conflict is one of the biggest problems in the modern era. The ethnic conflict in Sri Lanka s...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
This thesis is an ethnography of the political work of popular photography in northern Sri Lanka. Fo...
Within the context of ambiguous Indo-Sri Lankan relations, I seek to probe the question of cinema as...
textThis project examines the literal and literary bodies associated with the Sinhalese-Tamil confli...
Sponsored by the American Institute for Sri Lankan Studies, this preconference calls attention to a ...
Sri Lanka is the theatre of a three decade long bloody ‘terrorist’ conflict, where terrorist strateg...
This article examines the uses of images of women fighters of the Liberation Tigers of Tamil Eelam d...
Because of Sri Lanka's 26-year-long ethnic conflict between the Sri Lankan government and militant g...
Documentary film is a popular resource amongst peacebuilding organisations and practitioners. Despit...
A history of ethnic conflict in Sri Lanka : recollection, reinterpretation & reconciliatio
Sri Lanka is a multi-communal country that consists of four major ethnicities, namely: Sinhalese, Ta...
ABSTRACT: The theatre is a reflection of social reality. Theatre can be described as ma...
This article examines the dialogic encounter between the spectator and the spectacle in the context ...
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
Ethnic conflict is one of the biggest problems in the modern era. The ethnic conflict in Sri Lanka s...