Dane Zajc’s Plays Between Voice and Animated Forms

Diplomsko delo obravnava značilne poteze literarnih stvaritev Daneta Zajca, ki jih literarnovrstno uvršamo v dramatiko. Zajčevo dramsko ustvarjanje zaznamuje zlasti zvrst poetične drame, ki jo v ožjem smislu določa dvojnost empiričnega sveta in sveta onkraj empiričnega. Prek analize glasu se razkrije njegova dvojnost, ki ga utemeljuje kot nosilca Zajčevih iger, ter njegova zveznost z vizualnim. To nas napotuje na obravnavo lutkarstva kot možnega uprizoritvenega medija Zajčevih besedil, kajti semiotični sistem lutke se pomembno razlikuje od semiotičnega sistema dramske uprizoritve, v teh razlikah pa se razkrivajo nekatere skladnosti s poetično dramo, ki ponujajo plodovit ustvarjalni prostor.The thesis deals with the characteristic features of Dane Zajac\u27s literary creations, categorized as drama. Zajec\u27s dramatics is characterized in particular by the genre of poetic drama, which in the narrower sense is determined by the duality of the empirical world and the world beyond the empirical. The analysis of the voice reveals a sort of duality of it, which justifies it as the bearer of Zajc\u27s plays, as well as its connection with the visual. This leads us to the consideration of puppetry as a possible performance medium for Zajc\u27s texts. The semiotic system of the puppet differs significantly from the semiotic system of dramatic performance, and in these differences some correspondences with poetic drama are revealed, which offer a fruitful creative space