This review essay examines three new titles – Shadow Economies of Cinema, Digital Disruption, and Screen Dynamics – that add to the canon of work on how the digitalisation of film and the plethora of new technologies and associated innovations have impacted on the discipline of film studies. What the three titles demonstrate well is the current fluctuation occurring within film studies, as scholars attempt to articulate and make sense of the changes occurring within the discipline in this contemporary era of media convergence
'NO ONE GOES TO THE MOVIES ANYMORE:'(1) CINEMA AND VISUAL STUDIES IN THE DIGITAL ERA BLUE WITHIN the...
The articles in this issue speak to some on-going and current debates and practice related to cinema...
The article analyses changes of the film distribution model. Due to the influence of digital technol...
This review essay examines three new titles – Shadow Economies of Cinema, Digital Disruption, and Sc...
The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines...
In a period of proposed crisis and disruptive transformation to media, journalism and criticism, thi...
Digital disruption manifesting through innovations in distribution is providing opportunities for th...
Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but t...
‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we ...
It has become almost axiomatic to state that the transition to digital technologies represents a mom...
In what follows, I provide some tentative suggestions as to how informal systems can be integrated i...
Over the past decade, as digital media has expanded and print outlets have declined, pundits have be...
Book synopsis: What will prove to be the lasting impact of New Media on film and television? What ki...
In this dissertation I investigate the role played by cinephilia both as a moving historical force b...
This volume brings together a wide range of explorations of the ways in which technological innovati...
'NO ONE GOES TO THE MOVIES ANYMORE:'(1) CINEMA AND VISUAL STUDIES IN THE DIGITAL ERA BLUE WITHIN the...
The articles in this issue speak to some on-going and current debates and practice related to cinema...
The article analyses changes of the film distribution model. Due to the influence of digital technol...
This review essay examines three new titles – Shadow Economies of Cinema, Digital Disruption, and Sc...
The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines...
In a period of proposed crisis and disruptive transformation to media, journalism and criticism, thi...
Digital disruption manifesting through innovations in distribution is providing opportunities for th...
Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but t...
‘Nobody knows anything’, said William Goldman of studio filmmaking. The rule is ever more apt as we ...
It has become almost axiomatic to state that the transition to digital technologies represents a mom...
In what follows, I provide some tentative suggestions as to how informal systems can be integrated i...
Over the past decade, as digital media has expanded and print outlets have declined, pundits have be...
Book synopsis: What will prove to be the lasting impact of New Media on film and television? What ki...
In this dissertation I investigate the role played by cinephilia both as a moving historical force b...
This volume brings together a wide range of explorations of the ways in which technological innovati...
'NO ONE GOES TO THE MOVIES ANYMORE:'(1) CINEMA AND VISUAL STUDIES IN THE DIGITAL ERA BLUE WITHIN the...
The articles in this issue speak to some on-going and current debates and practice related to cinema...
The article analyses changes of the film distribution model. Due to the influence of digital technol...