In this chapter we analyse a number of war museums across Europe, in order to assess the extent to which national(istic) narratives are being subverted and challenged by cosmopolitan and/or agonistic ones. While the representation of violent conflict in war museums lends itself very easily to adversarial contrapositions of friends and foe, it can also foreground the suffering inflicted upon both civilians and soldiers from all warring sides, or indeed highlight dissensus and contestation, offering multiple perspectives including those of the perpetrators and bystanders. This chapter also explores audiences’ motivations, experiences and emotional states, in order to understand the kind of emotions elicited by the different modes of represent...
Mediating Memory in the Museum is a contribution to an emerging field of research which is situated ...
Koureas concentrates on curatorial practices in the Imperial War Museum to discuss the complexities ...
Different recollections of World War II are typical of every European country. To answer the questio...
In this chapter we analyse a number of war museums across Europe, in order to assess the extent to w...
The Second World War is omnipresent in contemporary memory debates. As the war fades from living mem...
Following the theorisation of museums as agonistic spaces and drawing on a comparative analysis of w...
Museums are the cathedrals of the twenty-first century, in that they have filled the void left by th...
none2The contributors to the present volume approach World War I and World War II as complex and int...
This article examines how contemporary war museums represent war and war-making. It looks at and com...
Presentations of war and violence in museums generally oscillate between the fascination of terror a...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
My thesis analyses the ways in which individuals experienced and responded to Holocaust history exhi...
Recent historical research has analysed the Cold War as an ‘imaginary war’, an interpretation that p...
Mediating Memory in the Museum is a contribution to an emerging field of research which is situated ...
Koureas concentrates on curatorial practices in the Imperial War Museum to discuss the complexities ...
Different recollections of World War II are typical of every European country. To answer the questio...
In this chapter we analyse a number of war museums across Europe, in order to assess the extent to w...
The Second World War is omnipresent in contemporary memory debates. As the war fades from living mem...
Following the theorisation of museums as agonistic spaces and drawing on a comparative analysis of w...
Museums are the cathedrals of the twenty-first century, in that they have filled the void left by th...
none2The contributors to the present volume approach World War I and World War II as complex and int...
This article examines how contemporary war museums represent war and war-making. It looks at and com...
Presentations of war and violence in museums generally oscillate between the fascination of terror a...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
War is often lived through and remembered as a time of heightened emotional intensity. This edited ...
My thesis analyses the ways in which individuals experienced and responded to Holocaust history exhi...
Recent historical research has analysed the Cold War as an ‘imaginary war’, an interpretation that p...
Mediating Memory in the Museum is a contribution to an emerging field of research which is situated ...
Koureas concentrates on curatorial practices in the Imperial War Museum to discuss the complexities ...
Different recollections of World War II are typical of every European country. To answer the questio...