This article explores the narrative of prominent visual artists practising within post-devolution Wales. The article adopts a sociological approach and does not seek to engage with perspectives promoted by art history or cultural studies. It utilises exemplar narratives gathered from over 20 in-depth ethnographic interviews with established visual artists working in Wales and explores the manner through which practitioners display various configurations of cultural futures and, at the same time, occupy discursive roles in which the voice of the artist performs visionary and moralizing work in relation to Welsh art-world futures. The article concludes by arguing that such positions and narrative form crucial data and resources for re-concept...
Between 1969 and 1976, the Welsh Arts Council (WAC) organized a groundbreaking exhibition series cal...
The purpose of this thesis is to identify the main characteristics of the perceived relationship bet...
The formation of the Arts Council of Great Britain (ACGB) in 1945 marked the introduction of officia...
This article explores the narrative of prominent visual artists practising within post-devolution Wa...
This article explores the narrative of prominent visual artists practising within post-devolution Wa...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners ...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners'...
This research note draws from ethnographic research on artistic practice in postdevolution Wales. Mo...
During the course of this article I explore the concept of cultural modernization and identity as it...
There is still a long way to go to establish an artistic tradition for women in Wales. In this paper...
The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period w...
This catalogue provides an overview of the contemporary art scene in Wales. Adams' text focuses on e...
Heike Roms What's Welsh for Performance? Beth yw 'performance' yn Gymraeg? An Oral History of Perfor...
Culture is not made through consensus or imposition. It is made through ideas that are strongly felt...
Catalogue to accompany works by four artists representing Wales in the 50th Venice Biennale. Heynen ...
Between 1969 and 1976, the Welsh Arts Council (WAC) organized a groundbreaking exhibition series cal...
The purpose of this thesis is to identify the main characteristics of the perceived relationship bet...
The formation of the Arts Council of Great Britain (ACGB) in 1945 marked the introduction of officia...
This article explores the narrative of prominent visual artists practising within post-devolution Wa...
This article explores the narrative of prominent visual artists practising within post-devolution Wa...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners ...
This paper reports on a study carried out on art and devolution in Wales. It explores practitioners'...
This research note draws from ethnographic research on artistic practice in postdevolution Wales. Mo...
During the course of this article I explore the concept of cultural modernization and identity as it...
There is still a long way to go to establish an artistic tradition for women in Wales. In this paper...
The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period w...
This catalogue provides an overview of the contemporary art scene in Wales. Adams' text focuses on e...
Heike Roms What's Welsh for Performance? Beth yw 'performance' yn Gymraeg? An Oral History of Perfor...
Culture is not made through consensus or imposition. It is made through ideas that are strongly felt...
Catalogue to accompany works by four artists representing Wales in the 50th Venice Biennale. Heynen ...
Between 1969 and 1976, the Welsh Arts Council (WAC) organized a groundbreaking exhibition series cal...
The purpose of this thesis is to identify the main characteristics of the perceived relationship bet...
The formation of the Arts Council of Great Britain (ACGB) in 1945 marked the introduction of officia...