The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. Beginning with the early decades of the eighteenth century, the essays in this volume consider some of the musical traditions and practices of this little understood period of music history. Four main areas are covered: orchestral music, sacred music, opera and keyboard music. Georg Reutter (Haydn's teacher), Antonio Salieri (Mozart's colleague) and Wölffl (a rival of Beethoven) are just three of the period's prominent musicians who are discussed at length
The last decade of the eighteenth century was a transitional period in the political as well as the ...
This dissertation discusses the uses of the keyboard concerto made by professional and amateur music...
This essay continues the documentation of formal functions (after Caplin) in named menuets from the ...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
This thesis traces the musical development of the Austrian Mass through a study of Mass/Requiem set...
Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-c...
Vienna under Maria Theresa (1740–1780) and Joseph II (1780–1790) control was the center of the cultu...
Written by ten leading scholars of music, this volume assembles studies of eighteenth- and early nin...
Though an acknowledged constituent part of 18th century musical life, no satisfactory collective stu...
Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyb...
This paper examines the role of music within the Habsburg empire in the century between 1750 and 185...
The wide-ranging contributions of Austrian composer Franz Joseph Haydn (1732-1809) embody the aesthe...
This thesis takes as its starting-point the theoretical and critical writings on music from the seco...
An original study of the history of the symphony in Vienna during Beethoven's lifetime, this 2006 bo...
This volume, which accompanies the exhibition of the same name, honours Leopold Mozart (1719-1787), ...
The last decade of the eighteenth century was a transitional period in the political as well as the ...
This dissertation discusses the uses of the keyboard concerto made by professional and amateur music...
This essay continues the documentation of formal functions (after Caplin) in named menuets from the ...
The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very litt...
This thesis traces the musical development of the Austrian Mass through a study of Mass/Requiem set...
Written by ten leading scholars, this volume assembles studies of eighteenth- and early nineteenth-c...
Vienna under Maria Theresa (1740–1780) and Joseph II (1780–1790) control was the center of the cultu...
Written by ten leading scholars of music, this volume assembles studies of eighteenth- and early nin...
Though an acknowledged constituent part of 18th century musical life, no satisfactory collective stu...
Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyb...
This paper examines the role of music within the Habsburg empire in the century between 1750 and 185...
The wide-ranging contributions of Austrian composer Franz Joseph Haydn (1732-1809) embody the aesthe...
This thesis takes as its starting-point the theoretical and critical writings on music from the seco...
An original study of the history of the symphony in Vienna during Beethoven's lifetime, this 2006 bo...
This volume, which accompanies the exhibition of the same name, honours Leopold Mozart (1719-1787), ...
The last decade of the eighteenth century was a transitional period in the political as well as the ...
This dissertation discusses the uses of the keyboard concerto made by professional and amateur music...
This essay continues the documentation of formal functions (after Caplin) in named menuets from the ...