Traditional attempts to define the concept of "art" has frequently meant finding their core characteristics or necessary and jointly sufficient conditions. Especially mimetic and formalist theories have had numerous proponents, arguing for the aesthetic relevance of iconicity or of formal aspects, respectively. In this paper, some basic tenets and problems of these approaches, most notably their essentialist biases, will be discussed. I shall put forward a moderate defense of the aesthetic relevance of mimetic or iconic features in the visual arts. Hereby, also studies from experimental aesthetics will be considered
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
Jacques Maritain’s early secular aesthetic theories have been interpreted too hastily. The goal of t...
This work attempts to investigate a long-standing tradition within the history of aesthetics accordi...
Traditional attempts to define the concept of "art" has frequently meant finding their core characte...
For the most part, the Aesthetic Theory of Art—any theory of art claiming that the aesthetic is a de...
It seems necessary to introduce the basic concepts used in this article i.e. formalism, anti-formali...
Although my formal study of art has been thorough, it has been incomplete. While it has given me ins...
Relativistic aesthetics have had a major impact on the development of art research- and practice-bas...
In this paper the author reviews the most debated theories of art in contemporary aesthetics and off...
How do you make sense of a work of art that makes no attempt to represent something in the world? Si...
Proponents of the aesthetic theory of art advocate that the aesthetic domain encompasses all artwork...
This paper is mainly situated within the tradition of analytic aesthetics. It concerns the formalist...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
In this article, I focus on the notion of iconic difference as a key to clarifying the specific logi...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
Jacques Maritain’s early secular aesthetic theories have been interpreted too hastily. The goal of t...
This work attempts to investigate a long-standing tradition within the history of aesthetics accordi...
Traditional attempts to define the concept of "art" has frequently meant finding their core characte...
For the most part, the Aesthetic Theory of Art—any theory of art claiming that the aesthetic is a de...
It seems necessary to introduce the basic concepts used in this article i.e. formalism, anti-formali...
Although my formal study of art has been thorough, it has been incomplete. While it has given me ins...
Relativistic aesthetics have had a major impact on the development of art research- and practice-bas...
In this paper the author reviews the most debated theories of art in contemporary aesthetics and off...
How do you make sense of a work of art that makes no attempt to represent something in the world? Si...
Proponents of the aesthetic theory of art advocate that the aesthetic domain encompasses all artwork...
This paper is mainly situated within the tradition of analytic aesthetics. It concerns the formalist...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
In this article, I focus on the notion of iconic difference as a key to clarifying the specific logi...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
Jacques Maritain’s early secular aesthetic theories have been interpreted too hastily. The goal of t...
This work attempts to investigate a long-standing tradition within the history of aesthetics accordi...