A Real American Wife, A Japanese Object: Puppetry and the Orient in Minghella’s Madam Butterfly

In Anthony Minghella’s celebrated 2005 production of Madam Butterfly, three white men manipulate the small, fragile body of Sorrow (Cio-Cio-San/Butterfly’s child), and, in a dream sequence, Cio-Cio-San herself–this paper explores how the production uses puppetry to represent the racialized Other, and how this might subvert, reinforce, or make visible Orientalist views of the East within the source text.https://digitalcommons.lib.uconn.edu/ballinst_alterity/1012/thumbnail.jp