林参天笔下的华人形象书写 = Chinese image in literary works of Lin CanTian

马来西亚的华人社区是全球华人离散群体的重要组成部分，研究其教育和社会形象对促进对海外华人研究有着重要意义。19世纪20、30年代是马华文学发展史上繁荣昌盛的阶段，在新兴文学的滥觞时期，不同写作和文艺流派如雨后春笋般绽放在华文文学的舞台。从中国南下的作家构成了20世纪上半叶新马华文文坛最重要的作者群体，对下半叶的海外华文文学也作出了巨大贡献。 林参天以自身经历和久居地发生的故事为创作题材，用现实主义的写作方式描写出了南洋教育界的生活实相，并提出若干华教界存在的重大问题，本文将重点着重于挖掘林参天笔下的华人形象书写，从林参天的两篇长篇小说《浓烟》、《热瘴》、以及短片小说集《余哀》展开分析。 The Chinese community in Malaysia is an important part of the global Chinese diaspora, and studying its education and social image has significant meaning for promoting research on overseas Chinese. The 1920s and 1930s were a prosperous stage in the history of Malaysian Chinese literature. During the emerging period of new literature, various writing and literary genres blossomed like bamboo shoots after the spring rain on the stage of Chinese literature. Writers who moved south from China formed the most important group of authors in the new Malaysian Chinese literary circle in the first half of the 20th century, and also made huge contributions to overseas Chinese literature in the second half of the century. Lin CanTian, drawing on his own experiences and stories from his long-term residence, used a realistic writing method to describe the actual life in the Nanyang education sector, and raised several major issues existing in the Chinese education sector. He has provided a true and precious record for later generations to understand the real life of the Chinese immigrant education sector and grassroots Chinese immigrants in the Malay region. This article analyzes his two novels "Nong Yan" (Dense Smoke), "Re Zhang" (Hot Malaria), and the short story collection "Yu Ai" (Remaining Sorrow) from multiple perspectives, excavating the portrayal of the Chinese image in Lin CanTian's works.Bachelor of Arts in Chines