Add to ORKGThis photographic essay examines and interrogates the design language of functional industrial, military, and utilitarian garments held in the Westminster Menswear Archive and evaluates their use of material culture of cut, construction, and detail to create symbolic values that have been repositioned within the design language of contemporary menswear design
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
This thesis situates the fashion mannequin as the primary artefact of a critical and historical exam...
This paper will focus on the material culture of the Leeds tailoring industry to argue that the proc...
This photographic essay examines and interrogates the design language of functional industrial, mili...
Against a contemporary backdrop of ceaseless military action, camouflage has been adopted by civilia...
Drawing exclusively from the Westminster Menswear Archive this exhibition explores the invisibility ...
This practice-based research project critically examines the menswear design process. It proposes th...
Menswear has a long history of utilising garment archives as a research method to inform the creatio...
This paper reflects on the first six years of the Westminster Menswear Archive's collecting. It cons...
Presentation focusing on the use of military uniform as a research and design source for fashion des...
In his seminal monograph, Modesty in Dress, Laver (1969) points out that clothing does not merely fu...
Groves led the project to establish and launch the WMA in 2016, with the purpose of redressing the h...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
This project frames the fashion object as a unique artefact carrying evidence of human activities an...
The general conception of genderless clothing has demonstrated the fluidity of dressing norms and ha...
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
This thesis situates the fashion mannequin as the primary artefact of a critical and historical exam...
This paper will focus on the material culture of the Leeds tailoring industry to argue that the proc...
This photographic essay examines and interrogates the design language of functional industrial, mili...
Against a contemporary backdrop of ceaseless military action, camouflage has been adopted by civilia...
Drawing exclusively from the Westminster Menswear Archive this exhibition explores the invisibility ...
This practice-based research project critically examines the menswear design process. It proposes th...
Menswear has a long history of utilising garment archives as a research method to inform the creatio...
This paper reflects on the first six years of the Westminster Menswear Archive's collecting. It cons...
Presentation focusing on the use of military uniform as a research and design source for fashion des...
In his seminal monograph, Modesty in Dress, Laver (1969) points out that clothing does not merely fu...
Groves led the project to establish and launch the WMA in 2016, with the purpose of redressing the h...
This paper reflects upon an interdisciplinary design research project 'Electric Corset and Other Fut...
This project frames the fashion object as a unique artefact carrying evidence of human activities an...
The general conception of genderless clothing has demonstrated the fluidity of dressing norms and ha...
This thesis deals with the construction of symbolic value and aesthetic authority in a menswear cont...
This thesis situates the fashion mannequin as the primary artefact of a critical and historical exam...
This paper will focus on the material culture of the Leeds tailoring industry to argue that the proc...