International audienceThe role of female collectors in the promotion of non-official Soviet art is rarely reflected in texts on the history of art. In the shadow of the well-known figures, their patronage stays obscure. This article proposes to reflect on the exhibition practice of the Marie-Thérèse first Gallery in order to add to art history by rethinking the context with a gendered lens
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
This thesis investigates the impact feminist art histories have had on mainstream artmuseums. The ke...
Between the inter-war years and 1960s, there was a radical shift in the art market status of modern ...
International audienceThe role of female collectors in the promotion of non-official Soviet art is r...
Scholarly analysis of the French japoniste movement relies largely on the memoirs, private journals,...
This paper aims to discuss the role of female collectors in Greece in the early 20th century. It foc...
The role of the art press has been proved crucial in the early formation of art history. The study o...
This article examines women collectors of natural history during the period 1880-1914, their natural...
In the mid-to-late 1960s in North America it was claimed that “art has long been recognized as a sou...
This study examines how women are represented in exhibitions about the ancient cultures of Greece, R...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
This article examines women artists’ relationships with collectors and patrons in England between th...
The article is focused on gender aspects of visual culture. National culture was articulated during ...
Art history has enriched the study of material culture as a scholarly field. This interdisciplinary ...
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for a...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
This thesis investigates the impact feminist art histories have had on mainstream artmuseums. The ke...
Between the inter-war years and 1960s, there was a radical shift in the art market status of modern ...
International audienceThe role of female collectors in the promotion of non-official Soviet art is r...
Scholarly analysis of the French japoniste movement relies largely on the memoirs, private journals,...
This paper aims to discuss the role of female collectors in Greece in the early 20th century. It foc...
The role of the art press has been proved crucial in the early formation of art history. The study o...
This article examines women collectors of natural history during the period 1880-1914, their natural...
In the mid-to-late 1960s in North America it was claimed that “art has long been recognized as a sou...
This study examines how women are represented in exhibitions about the ancient cultures of Greece, R...
This special exhibition of the permanent collection focuses exclusively on the contributions of Amer...
This article examines women artists’ relationships with collectors and patrons in England between th...
The article is focused on gender aspects of visual culture. National culture was articulated during ...
Art history has enriched the study of material culture as a scholarly field. This interdisciplinary ...
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for a...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
This thesis investigates the impact feminist art histories have had on mainstream artmuseums. The ke...
Between the inter-war years and 1960s, there was a radical shift in the art market status of modern ...