In Japan, it was in the mid-1970s when women artists started to create their own professional theatre companies. This period also saw the development of the women's liberation movement in Japan, but there was no exchange between women theatre artists and activists. While the women artists explored a variety of issues in their work, with some few exceptions feminism was not their primary concern. This trend continues to this day, and accounts for why Tadashi Uchino argues that there has been no feminist theatre in Japan
Medieval madwoman Noh plays have been performed in Japan continually for the last 600 years. In thes...
The powerful patriarchal forces that discourage or erase female participation in traditional Asian p...
The number of performing arts based on ancient Greek tragedies has continued to increase around the ...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
This paper discusses some concerns about Japanese gender identity as a construct and the subversive ...
This paper explores the strategies that gender activists in Japan use to advocate gender equality an...
Japanese feminism directly impacts the social image of non-male sexuality in Japanese literature and...
The first half of my thesis are my translations from Yumi Hirosawa’s Onna O Aisuru Onnatachi. The fi...
The first Japanese edition of the book appeared at the height of debates about the interpretation of...
The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including ...
Thesis (Ph. D.)--University of Hawaii at Manoa, 2002.Includes bibliographical references (leaves 253...
Despite being a democratic and economically successful country, women in Japanese politics are extre...
Taiko, the art of drumming, has grown into a powerful cultural performance that constructs Japanese ...
Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and...
Medieval madwoman Noh plays have been performed in Japan continually for the last 600 years. In thes...
The powerful patriarchal forces that discourage or erase female participation in traditional Asian p...
The number of performing arts based on ancient Greek tragedies has continued to increase around the ...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
In Japan, it was in the mid-1970s when women artists started to create their own professional theatr...
This paper discusses some concerns about Japanese gender identity as a construct and the subversive ...
This paper explores the strategies that gender activists in Japan use to advocate gender equality an...
Japanese feminism directly impacts the social image of non-male sexuality in Japanese literature and...
The first half of my thesis are my translations from Yumi Hirosawa’s Onna O Aisuru Onnatachi. The fi...
The first Japanese edition of the book appeared at the height of debates about the interpretation of...
The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including ...
Thesis (Ph. D.)--University of Hawaii at Manoa, 2002.Includes bibliographical references (leaves 253...
Despite being a democratic and economically successful country, women in Japanese politics are extre...
Taiko, the art of drumming, has grown into a powerful cultural performance that constructs Japanese ...
Rethinking Japanese Feminisms offers a broad overview of the great diversity of feminist thought and...
Medieval madwoman Noh plays have been performed in Japan continually for the last 600 years. In thes...
The powerful patriarchal forces that discourage or erase female participation in traditional Asian p...
The number of performing arts based on ancient Greek tragedies has continued to increase around the ...