Hommage to Juraj Dalmatinac

Ovaj diplomski rad razmatra vidove kiparskog rada dvaju autora. Referira se na domaću tradiciju, konkretno na portretnu skulpturu Jurja Dalmatinca s friza Šibenske katedrale i na Giacomettia koji je tu akademsku tradiciju u skulpturi mijenjao „ispisivajući stranice“ modernog i suvremenog kiparstva. Referirajući na prethodno iskustvo navedenih autora nastaje ovaj rad koji misaono i vizualno spaja ta dva „etosa kreativnosti“ i nadahnuća, bez pomisli da je rad rezultat križanja epohalnih nadahnuća i senzibiliteta vremena autora na koje je referiran. Koncentraciji je na portretnoj cjelini koja spreže oba iskustva gledanja između ekstremne prošlosti i današnjeg shvaćanja skulpture kao proširenog područja.This master’s thesis examines aspects of the sculptural work of two authors. It refers to local tradition, specifically to the portrait sculpture of Juraj Dalmatinac from the frieze of Šibenik’s Cathedral and to Giacometti, who changed that academic tradition in sculpture by "writing the pages" of modern and contemporary sculpture. Referring to the previous experience of the above-mentioned authors, this work is created that mentally and visually combines these two "ethos of creativity" and inspiration, without thinking that the work is the result of the intersection of epochal inspirations and the sensibility of the time of the author to which it is referred. The concentration is on a portrait unit that combines both viewing experiences between the extreme past and today's understanding of sculpture as an expanded field