Magister ArtiumThe purpose of this dissertation is to chart the development of an ambivalent female identity in the Gothic genre, as exemplified by Ann Radcliffe's late eighteenth century fictions. The thesis examines the social and literary context of the emergence of the Gothic in English literature and argues that it is intimately tied up with changes in social, political and gender relations in the period.South Afric
This thesis is an examination of values and craftsmanship in the Gothic novel, and sets out to demon...
This thesis examines the developing relationship between Gothic fiction and travel writing during th...
Between the 1790s and the 1820s, more than fifty women writers wrote in what we now call the Gothic...
This thesis explores the relationship between the Female Gothic novel of the late eighteenth and ear...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
This thesis examines the developing relationship between Gothic fiction and travel writing during th...
In my dissertation I argue for a new history of female Romanticism in which the romance - and partic...
UnrestrictedThis dissertation examines a selection of nineteenth-century Gothic novels and analyzes ...
This dissertation investigates the mode of the Female Gothic primarily by examining how texts utiliz...
This dissertation focuses on the representation of female characters in Matthew Gregory Lewis’s Goth...
This dissertation focuses on the representation of female characters in Matthew Gregory Lewis’s Goth...
1764 marked both the publication of the first Gothic story, Horace Walpole’s The Castle of Otranto (...
This dissertation examines the configuration of feminine subjectivity under the mask of proper femin...
This study employs Horace Walpole\u27s Castle of Otranto , Ann Radcliffe\u27s Mysteries of Udolpho, ...
This thesis is an examination of values and craftsmanship in the Gothic novel, and sets out to demon...
This thesis examines the developing relationship between Gothic fiction and travel writing during th...
Between the 1790s and the 1820s, more than fifty women writers wrote in what we now call the Gothic...
This thesis explores the relationship between the Female Gothic novel of the late eighteenth and ear...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
This thesis examines the developing relationship between Gothic fiction and travel writing during th...
In my dissertation I argue for a new history of female Romanticism in which the romance - and partic...
UnrestrictedThis dissertation examines a selection of nineteenth-century Gothic novels and analyzes ...
This dissertation investigates the mode of the Female Gothic primarily by examining how texts utiliz...
This dissertation focuses on the representation of female characters in Matthew Gregory Lewis’s Goth...
This dissertation focuses on the representation of female characters in Matthew Gregory Lewis’s Goth...
1764 marked both the publication of the first Gothic story, Horace Walpole’s The Castle of Otranto (...
This dissertation examines the configuration of feminine subjectivity under the mask of proper femin...
This study employs Horace Walpole\u27s Castle of Otranto , Ann Radcliffe\u27s Mysteries of Udolpho, ...
This thesis is an examination of values and craftsmanship in the Gothic novel, and sets out to demon...
This thesis examines the developing relationship between Gothic fiction and travel writing during th...
Between the 1790s and the 1820s, more than fifty women writers wrote in what we now call the Gothic...