Add to ORKGAlbee has been linked with European dramatists of the absurd. It is true that he is fully aware of their theatrical vision and indeed he has adopted their method and style. But it is noticeable that he has been preoccupied with illusions that screen man from reality. He is not concerned with the absurdity of reality but rather the absurdity of illusion. To him, absurdity derives not from the human situation itself, but from man's false response to that situation. Albee's protagonists come to understand that genuine existence comes only through the acceptance of reality and the establishment of a true relationship between individuals. Albee tries to transcend the absurdist vision, adding a moral dimension to it. In this sense, his theatrical...
In June 2004 a new play by Edward Albee premiered on the Hartford stage. The play was produced as Pe...
This article engages debates on how changing cultural values impinge on the behavioral patterns of a...
In the plays of Edward Albee, the animal – or as Jacques Derrida would say, the animot – can only be...
This paper investigates the themes of existentialism and absurdity in The Zoo Story, is a master pie...
Edward Albee’s The Zoo Story is about the interaction between its two main characters Peter and Jerr...
The post-world war II American social and cultural setting was ambiguously featured with enforced co...
This article aims at showing the link between Psychology/ Psychoanalysis and The Theatre of the Absu...
Edward Albee's concern with the illusions people use to escape the external facts of their lives has...
The main objective of this study is to analyze the dislocation of power and alienation through the u...
Edward Albee (March 12, 1928) is an American playwright who is known for works such as The Zoo Story...
In his play Edward Albee lays stress on the corruption in American society, American family in parti...
Edward Albee is a three-time Pulitzer Prize-winning playwright for his plays Three Tall Women, A...
The plays of Edward Albee offer a rich variety of theme and form. One finds in Albee elements of abs...
Edward Albee’s The Zoo Story (1961) is a perfect example of Levinasian face-to-face encounter in Ame...
A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mai...
In June 2004 a new play by Edward Albee premiered on the Hartford stage. The play was produced as Pe...
This article engages debates on how changing cultural values impinge on the behavioral patterns of a...
In the plays of Edward Albee, the animal – or as Jacques Derrida would say, the animot – can only be...
This paper investigates the themes of existentialism and absurdity in The Zoo Story, is a master pie...
Edward Albee’s The Zoo Story is about the interaction between its two main characters Peter and Jerr...
The post-world war II American social and cultural setting was ambiguously featured with enforced co...
This article aims at showing the link between Psychology/ Psychoanalysis and The Theatre of the Absu...
Edward Albee's concern with the illusions people use to escape the external facts of their lives has...
The main objective of this study is to analyze the dislocation of power and alienation through the u...
Edward Albee (March 12, 1928) is an American playwright who is known for works such as The Zoo Story...
In his play Edward Albee lays stress on the corruption in American society, American family in parti...
Edward Albee is a three-time Pulitzer Prize-winning playwright for his plays Three Tall Women, A...
The plays of Edward Albee offer a rich variety of theme and form. One finds in Albee elements of abs...
Edward Albee’s The Zoo Story (1961) is a perfect example of Levinasian face-to-face encounter in Ame...
A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mai...
In June 2004 a new play by Edward Albee premiered on the Hartford stage. The play was produced as Pe...
This article engages debates on how changing cultural values impinge on the behavioral patterns of a...
In the plays of Edward Albee, the animal – or as Jacques Derrida would say, the animot – can only be...