Acting is relative term : What I see, is

Ovaj diplomski rad početak je jedne rasprave koja nužno nema kraja. Dokle god je glumaca koji ne vole uzimati zdravo za gotovo sve odgovore, već postavljati pitanja, ova će rasprava živjeti. Životni vijek rasprave za svakog ja čitatelja drugačiji, riječ je o osobnom odabiru. Ova rasprava upućuje upravo na takve odabire, odabire koje svjesno ili nesvjesno donosimo svaki dan. Odabire koje odabiremo hoćemo li ih vidjeti ili ne. Upućuje na mogućnosti. Pišem o mogućnostima. Pišem o onima za koje sam znala prije i o onima koje sam osvijestila tijekom studija glume. Govorim o mjerljivosti nemjerljivog i nemjerljivosti mjerljivog. Nudim alate i dodatke znanjima o glumi kako bi ih čitatelj mogao pridodati svojima i tako proširiti spektar gledanja na isti pojam. Nudim stav, u moru stavova, kako bi se svatko mogao još jednom preispitati i posložiti svoj novi, relativni, pogled na glumu. Pa tako i svijet.This thesis is the beginning of a debate that necessarily has no end. As long as there are actors who do not like to take all the answers for granted, but ask questions, this debate will live. The life span of this discussion is different for each reader, it is a personal choice. This discussion points, precisely, to such choices. Choices that we consciously or unconsciouly, make every day. The choices we choose to see or not to see. It points to possibilities. I'm writing about possibilities. I am writing about the ones I knew about before, and the ones I learned about during my acting studies. I'm talking about the measurability of immeasurable and immeasurability of measurable. I offer tools and accessories to the knowledge of acting so that each reader can add them to their own and thus broaden the spectrum of viewing the same term. I offer an attitude, in the sea of attitudes, so that everyone can re-examine and organize their new, relative, view of acting, including the view of the world