Comparison of the polyphonic language of the first sonata in g minor by J. S. Bach, and of the first sonata in g minor by E. Ysaye

Ovaj završni diplomski rad bavit će se analizom i usporedbom prvih sonata Johanna Sebastiana Bacha te Eugenea Ysayea. Kroz analizu će se istraživati razvijanje violinističkog repertoara u razdobljima baroka i prve polovice 20. stoljeća (koje odlikuje mnoštvo pokreta eksperimentalnih stilova). Usporedbom tih dviju sonata pokušat će se odrediti koji su elementi ostali neizbježno nasljedstvo još od Bachovih 6 sonata i partita, a koje elemente je Ysaye formirao kao nove tehnike stvaranja i prenošenja glazbe.This final thesis will work through analysis and comparison of the first violin sonatas by Johann Sebastian Bach and Eugene Ysaye. The results of analysis will try to help with exploring the formation of violin repertoire within periods of Baroque and the early 20th century (which is known for many new experimental movements). By comparing the two sonatas, the attempt will be to determine which elements are the never-ending legacy since Bach's 6 sonatas and partitas, and which elements Ysaye formed as new means of creation and expansion of music