The purpose of the article is to consider the originality and analyze the plays of V. Kozhelyanko in the context of modern dramaturgy and special subgenre, what is called “plays for reading”. Conclusions. Architectural and genre-stylistic findings of V. Kozhelyanko in the dramatic genre of writing not only laid the foundation of his creative block, in particular the novel in the genre of alternative history and adventure postmodern and newmodern novels, but also formed a workshop of the latest creative tools used by other modern authors (for example, Neda Neshdana). The plays of V. Kozhelyanko are considered in the key of genre and style analysis. Having analyzed some aspects of dramatic texts (the image of the national hero, historical a...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article addresses the Chernivtsi polite literature as a constituent of the 'city myth'. The auth...
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly...
The article deals with the analysis of genreric and stylistic features of Lesya Ukrainka's dramaturg...
The purpose of the article is to investigate postcolonial discourse in theatrical art, in particular...
The purpose of the article is to consider the theatrical dramatisation of V. Vynnychenko’s works in ...
The article outlines the main trends of development of the newest Ukrainian novel, its achievements ...
The purpose of the article is to find out the specifics of D. Bohomazov’s creative work in the conte...
The article deals with interpretative models that have become canonical over a long time studying Le...
The purpose of the article is to highlight the features of the new paradigm of Ukrainian classics an...
The article attempts to allocate and analyze the most essential characteristics of plays by A. Marda...
The article shows the dynamics of views on vertep drama in the diachronic approach of the XIX-XX and...
The article gives us some insight into the subsequent phases of development of contemporary Russian ...
This article explores the potential integration of liminal strategies into literary studies research...
The purpose of the article is to analyse the continuity of traditions in the Ukrainian drama theatre...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article addresses the Chernivtsi polite literature as a constituent of the 'city myth'. The auth...
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly...
The article deals with the analysis of genreric and stylistic features of Lesya Ukrainka's dramaturg...
The purpose of the article is to investigate postcolonial discourse in theatrical art, in particular...
The purpose of the article is to consider the theatrical dramatisation of V. Vynnychenko’s works in ...
The article outlines the main trends of development of the newest Ukrainian novel, its achievements ...
The purpose of the article is to find out the specifics of D. Bohomazov’s creative work in the conte...
The article deals with interpretative models that have become canonical over a long time studying Le...
The purpose of the article is to highlight the features of the new paradigm of Ukrainian classics an...
The article attempts to allocate and analyze the most essential characteristics of plays by A. Marda...
The article shows the dynamics of views on vertep drama in the diachronic approach of the XIX-XX and...
The article gives us some insight into the subsequent phases of development of contemporary Russian ...
This article explores the potential integration of liminal strategies into literary studies research...
The purpose of the article is to analyse the continuity of traditions in the Ukrainian drama theatre...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article addresses the Chernivtsi polite literature as a constituent of the 'city myth'. The auth...
The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly...