Add to ORKGThe article presents reflections on some issues encountered when combining traditional Maori and Western concert music. These issues include tradition and repertoire versus innovation, control versus freedom, collaboration versus appropriation, and the overlapping roles of creator and performer. Focal to the article is "Hau," a Maori word meaning breath or wind. The author also presents a comparison of Western music with traditional Maori instrumental music
In this article the award winning composer Yumi Hara Cawkwell illustrates the tension between what i...
Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As thi...
This article examines the way that Kitaro, the internationally renowned composer and musician of new...
Appendices are held with the print copy.Music has always been an integral part of day to day living ...
This thesis is about kapa haka (traditional Maori performing arts) as it is performed in a cultural ...
The aim of this research is to ask why Maori show bands are not recognised as New Zealand cultural a...
Established and active taiko (Japanese drumming) groups in New Zealand have a relatively short histo...
Māori performing arts provides a valuable contribution to Aotearoa New Zealand society. Māori perf...
Scholars do not deny that the piiwhiri involves musical movements, but few sources adequately emphas...
The main theme of this study is to form a culturally appropriate approach to music therapy concepts ...
Waituhi is the first Maori opera. Do you feel there is a contradiction in expressing the need to pre...
Zemp Hugo. McLean, Mervyn and Orbell, Margaret. Traditional Songs of the Maori. In: Journal de la So...
When musicians collaborate, a conversation takes place. They may not necessarily come from the same ...
M.Mus. University of Hawaii at Manoa 2013.Includes bibliographical references.Mythic Fox is a compos...
The article begins by making explicit its disciplinary standpoint. Research on music in indigenous s...
In this article the award winning composer Yumi Hara Cawkwell illustrates the tension between what i...
Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As thi...
This article examines the way that Kitaro, the internationally renowned composer and musician of new...
Appendices are held with the print copy.Music has always been an integral part of day to day living ...
This thesis is about kapa haka (traditional Maori performing arts) as it is performed in a cultural ...
The aim of this research is to ask why Maori show bands are not recognised as New Zealand cultural a...
Established and active taiko (Japanese drumming) groups in New Zealand have a relatively short histo...
Māori performing arts provides a valuable contribution to Aotearoa New Zealand society. Māori perf...
Scholars do not deny that the piiwhiri involves musical movements, but few sources adequately emphas...
The main theme of this study is to form a culturally appropriate approach to music therapy concepts ...
Waituhi is the first Maori opera. Do you feel there is a contradiction in expressing the need to pre...
Zemp Hugo. McLean, Mervyn and Orbell, Margaret. Traditional Songs of the Maori. In: Journal de la So...
When musicians collaborate, a conversation takes place. They may not necessarily come from the same ...
M.Mus. University of Hawaii at Manoa 2013.Includes bibliographical references.Mythic Fox is a compos...
The article begins by making explicit its disciplinary standpoint. Research on music in indigenous s...
In this article the award winning composer Yumi Hara Cawkwell illustrates the tension between what i...
Since 1858, music has always been an integral part of the Kīngitanga movement in New Zealand. As thi...
This article examines the way that Kitaro, the internationally renowned composer and musician of new...