In 1985, out of a job and mouths to feed I was offered a reprieve by Jim Tully, then an editor at the Auckland Star, who suggested that I might work as a proof-reader at the newspaper. David Mitchell was one of my workmates. We exchanged few words, though we were acquainted with each other. Having read the editor’s introduction to Steal Away Boy: Selected poems of David Mitchell, I can see that he had begun a retreat into silence, into the kind of strategic withholding of self which appears to have characterised his relationship with editors who sought to pin his poems sprawling to some page or other. In this respect, Edmond and Roberts have done a superb job in enticing Mitchell out of the tomb
In The Sacred Wood: Essays on Poetry and Criticism, T. S. Eliot famously wrote, ‘Immature poet...
Review of Tokwin, edited by Nash G Sorariba, Information and Communication Science in association wi...
Review of Black and White : John Tamihere, by John Tamihere with Helen BainA theme in the book is Ta...
Commentary: On 25 July 1972, the Board of the New Zealand Broadcasting Corporation decided to termin...
There is a very good and useful book waiting to escape from this collection on journalism and public...
Review of: Don’t Spoil My Beautiful Face: Media, Mayhem and Human Rights in the Pacific, by David Ro...
Lockdown Lawyers: A Collection of COVID-19 Poetry, edited by Emma Trevett and Jon Whitfield, QC. Lon...
IN HIS newly released Wars Apart: WWII Letters of Love and Anguish From Cairo to Christchurch, retir...
Book review of: Intro: A beginner's guide to journalism in 21st century Aotearoa/New Zealand, edited...
Review of What's News? Reclaiming Journalism in New Zealand, edited by Judy McGregor and Margie Comr...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
Flair and Loathing on the Front Page, by Jim Tucker. New Plymouth, NZ: Jim Tucker Media. 2022, 283 p...
Upheaval: Disrupted Lives in Journalism, edited by Andrew Dodd and Matthew Ricketson. Sydney: UNSW P...
In The Sacred Wood: Essays on Poetry and Criticism, T. S. Eliot famously wrote, ‘Immature poet...
Review of Tokwin, edited by Nash G Sorariba, Information and Communication Science in association wi...
Review of Black and White : John Tamihere, by John Tamihere with Helen BainA theme in the book is Ta...
Commentary: On 25 July 1972, the Board of the New Zealand Broadcasting Corporation decided to termin...
There is a very good and useful book waiting to escape from this collection on journalism and public...
Review of: Don’t Spoil My Beautiful Face: Media, Mayhem and Human Rights in the Pacific, by David Ro...
Lockdown Lawyers: A Collection of COVID-19 Poetry, edited by Emma Trevett and Jon Whitfield, QC. Lon...
IN HIS newly released Wars Apart: WWII Letters of Love and Anguish From Cairo to Christchurch, retir...
Book review of: Intro: A beginner's guide to journalism in 21st century Aotearoa/New Zealand, edited...
Review of What's News? Reclaiming Journalism in New Zealand, edited by Judy McGregor and Margie Comr...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
I was honoured, and some what apprehensive, when asked to be editor of Poetry Ireland Review. Since ...
Flair and Loathing on the Front Page, by Jim Tucker. New Plymouth, NZ: Jim Tucker Media. 2022, 283 p...
Upheaval: Disrupted Lives in Journalism, edited by Andrew Dodd and Matthew Ricketson. Sydney: UNSW P...
In The Sacred Wood: Essays on Poetry and Criticism, T. S. Eliot famously wrote, ‘Immature poet...
Review of Tokwin, edited by Nash G Sorariba, Information and Communication Science in association wi...
Review of Black and White : John Tamihere, by John Tamihere with Helen BainA theme in the book is Ta...