Increased access to global media by traditional culture in remote parts of Africa has, in many cases, seen indigenous music marginalized in favor of imported forms. In some places, a folkloric tradition thrives, though this music may face extinction if those who practice it do not document their art in a way which can be passed down to future generations. For this project, I recorded seven musician/composers of the Bugakhwe, a Khoisan people group living in the Okavango Delta region of Botswana. Two were given enough studio time to create a complete CD-length set, so as to show off the depth of their individual styles. The other five recorded signature songs--two or three songs for which they consider themselves best known--so as to illus...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...
Two years ago, through the generosity of the Rockefeller Foundation, I was given the opportunity of ...
Bakalanga of Botswana and Zimbabwe are one people who share the same musical traditions. They were s...
Folk music has been the backbone upon which the various musical practices of modern-day Africa have ...
Botswana is a heterogeneous society and therefore the elements of dualism as well as cultural plural...
Historically, traditional music in Africa was attributed to the collective society and not to indivi...
The Intangible Cultural Heritage (ICH) convention of UNESCO is arguably the most powerful institutio...
This thesis examines an attempt at repatriation and the revitalisation of archival holdings from the...
Like many aspects of life in Lesotho, the indigenous music is caught up in a process of rapid and fu...
Cultural erosion is a cause of concern in all community in Africa. It is on this regard that I took ...
This thesis examines the musical practices of Badagry Ogu people from both historical and contempora...
This project is focused on the traditional songs of Moscmagor, a village at the Eastern entrance to ...
When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I record...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...
Two years ago, through the generosity of the Rockefeller Foundation, I was given the opportunity of ...
Bakalanga of Botswana and Zimbabwe are one people who share the same musical traditions. They were s...
Folk music has been the backbone upon which the various musical practices of modern-day Africa have ...
Botswana is a heterogeneous society and therefore the elements of dualism as well as cultural plural...
Historically, traditional music in Africa was attributed to the collective society and not to indivi...
The Intangible Cultural Heritage (ICH) convention of UNESCO is arguably the most powerful institutio...
This thesis examines an attempt at repatriation and the revitalisation of archival holdings from the...
Like many aspects of life in Lesotho, the indigenous music is caught up in a process of rapid and fu...
Cultural erosion is a cause of concern in all community in Africa. It is on this regard that I took ...
This thesis examines the musical practices of Badagry Ogu people from both historical and contempora...
This project is focused on the traditional songs of Moscmagor, a village at the Eastern entrance to ...
When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I record...
I visited many parts of Uganda, with the exception of West Nile, and almost everywhere I was struck ...
“MAZUVA EKUPEDZISA” by Abraham Maraire. (Old Umtali, Rhodesia) During the year an innovation in reli...
We recorded several pan-pipe ensembles (EnkwanyJ) formed by rather young people in all sorts of soci...