The Sound of Queer Diaspora: Sonic Enactments of Filipinx Desire, Loss and Belonging

In this dissertation, I foreground Filipinx cultural production in building an aesthetic archive of transpacific aesthetic expression. From this point, I listen for its queer sounds. My research draws on queer theory, performance studies, and Filipinx diaspora studies to suggest that sound offers a methodological framework that can uniquely register modes of collectivity and desire that may otherwise go unrecognized. I also deploy psychoanalytic concepts of mourning and reparation to elaborate a definition of sound that explains its material and metaphorical force as it creates conditions for new relational possibilities. Broadly, I suggest that sound has an affective quality that capaciously allows Filipinx diasporic subjects to create forms of home, desire, and belonging that defy racialized ascriptions born from racism, colonialism, and their gendered dimensions. This dissertation includes four chapters, each offering a critical reading of an aesthetic object. The objects that I have assembled in this dissertation include videos that feature performances by Filipinx children, visual art and music by Filipinx artists, and a film that expresses the queer dynamics of sound. By critically listening for queer sound as it is produced by these aesthetic objects, I hope to contribute a theory of diaspora that may otherwise be rendered unintelligible due to hegemonies of vision, empire, and heterosexuality. Ultimately, this project seeks to expose how sonicity can inhabit the affective force of desire, loss, and belonging in queer, transpacific representation.Ph.D