I assume that there is a theological basis and meaning to each book of the He-brew Bible and I contend that the inter-relationships of the narrative devices humour and violence in the same story present theological messages and insights that have not, till now, been adequately examined in 21st century theological study. This thesis is an inter-disciplinary undertaking, involving a range of exemplars and scholarly insights. It does not fit neatly into either the traditional theological or the biblical studies categories. I draw on René Girard’s Scapegoat Mechanism, Bruno Bet-telheim’s insights on imagination and Stephen Leacock’s understanding of humour, among others, employing particular social and literary theories about märchen, vio-lenc...