Add to ORKGIn 2021, the Suter Gallery (Nelson) mounted a group show of Aotearoa artists whose work embraces absurdity. One of Bryce Galloway’s offerings to the show was the catalogue essay, reworked and re-presented here. The essay investigates whether the well-worn proposition that absurd art finds greater currency in times of socio-political duress still holds in the face of today’s accelerating online narratives and divergent internet realities
“Absurd Romania” revisits Romanian history and politics, and their intersection with the literary sc...
abstract: In 1937, the Catalogue of the Fantastic Art, Dada, Surrealism exhibition in the New York M...
The current paper examines a series of portraits called Thirteen Most Wanted Men that the famous Ame...
Tristan Tzara is most often associated with Dada, a movement whose influence has often been overlook...
This exhibition catalogue essay examines the reception in the United States of the work of French di...
This article is about artistic freedom of speech and censorship. It compares sadistic and misogynist...
This article explores Charles Henri Ford’s Poem Posters series of 1964–5 and the ‘Having Wonderful T...
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from...
In 2010 three psychology professors at the University of British Columbia wrote a paper for the jour...
Exploring the radical shift in the boundary between fiction and reality in a world increasingly gove...
Invited essay for publication occasioned by the Chapman Brothers'solo show at Tate Liverpool The ...
Absurdity in art creates bizarre juxtapositions that expose, and question conflicted, even dangerous...
Tulika Mohan ‘20 completed this essay for her ID1 course, Lose Thyself, with Professor Elijah Quetin...
Through their artistic practice, Common Culture redeploy the ‘throwing of voices’ to investigate the...
"Here Marman and Borins present a disordered world of ideas where no belief system has primacy. The ...
“Absurd Romania” revisits Romanian history and politics, and their intersection with the literary sc...
abstract: In 1937, the Catalogue of the Fantastic Art, Dada, Surrealism exhibition in the New York M...
The current paper examines a series of portraits called Thirteen Most Wanted Men that the famous Ame...
Tristan Tzara is most often associated with Dada, a movement whose influence has often been overlook...
This exhibition catalogue essay examines the reception in the United States of the work of French di...
This article is about artistic freedom of speech and censorship. It compares sadistic and misogynist...
This article explores Charles Henri Ford’s Poem Posters series of 1964–5 and the ‘Having Wonderful T...
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from...
In 2010 three psychology professors at the University of British Columbia wrote a paper for the jour...
Exploring the radical shift in the boundary between fiction and reality in a world increasingly gove...
Invited essay for publication occasioned by the Chapman Brothers'solo show at Tate Liverpool The ...
Absurdity in art creates bizarre juxtapositions that expose, and question conflicted, even dangerous...
Tulika Mohan ‘20 completed this essay for her ID1 course, Lose Thyself, with Professor Elijah Quetin...
Through their artistic practice, Common Culture redeploy the ‘throwing of voices’ to investigate the...
"Here Marman and Borins present a disordered world of ideas where no belief system has primacy. The ...
“Absurd Romania” revisits Romanian history and politics, and their intersection with the literary sc...
abstract: In 1937, the Catalogue of the Fantastic Art, Dada, Surrealism exhibition in the New York M...
The current paper examines a series of portraits called Thirteen Most Wanted Men that the famous Ame...